23 Works, December 18th. is Frank O. Salisbury’s day, his art, illustrated with footnotes #251

Frank O. Salisbury (British, 1874–1962)
Onward Christian Soldiers, c. 1911

Oil on canvas
63 x 90 cm. (24.8 x 35.4 in.)
Private collection

Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the ‘Christian Soldiers’ from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O’Salisbury’s work. painted in oil and illuminated in gold leaf.

Francis (“Frank”) Owen Salisbury (18 December 1874–31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as “Britain’s Painter Laureate”. His art was steadfastly conservative and he was a vitriolic critic of Modern Art — particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a “plumber, decorator and ironmonger” (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation…

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23 Works, December 18th. is Frank O. Salisbury’s day, his art, illustrated with footnotes #251

Frank O. Salisbury (British, 1874–1962)
Onward Christian Soldiers, c. 1911

Oil on canvas
63 x 90 cm. (24.8 x 35.4 in.)
Private collection

Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the ‘Christian Soldiers’ from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O’Salisbury’s work. painted in oil and illuminated in gold leaf.

Francis (“Frank”) Owen Salisbury (18 December 1874–31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as “Britain’s Painter Laureate”. His art was steadfastly conservative and he was a vitriolic critic of Modern Art — particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a “plumber, decorator and ironmonger” (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation…

Please follow link for full post

House of Venus and Mars/ Ares and Aphrodite 01 Fresco, Olympian deities, by the Old Masters, pictorial decoration of the mansions of Pompeii, with footnotes, #10a

House of Venus and Mars/ Ares and Aphrodite

Between circa 75 and circa 100 AD

Fresco on plaster

cm 99 x 90

National Archaeological Museum of Naples 

Venus and Mars Fresco  above shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. 

The Fresco was probably intended to commemorate a wedding, and to adorn the bedroom of the bride and groom. This is suggested by the wide format and the close view of the figures. It is widely seen as representation of an ideal view of sensuous love

Mars lifts the blue mantle of Venus, to admire its nudity characterized only by a gold chain arranged in X. Characteristic is the representation of the two sexes which provides for a brown complexion for the man and clear and delicate for the woman. Cupid plays with the weapons of Mars. The shield and the helmet reflect reflections of light. More on this mosaic

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