51 Paintings, Interpretation of the bible by Artists of 16th and 17th Centuries, with footnotes

Antonio del Castillo
Saint Acisclus holding a sword and a martyr’s palm, crowned by a putti;
Saint Victoria, holding an arrow and a martyr’s palm, crowned by a putti

Oil on canvas
Private collection

Saint Acisclus was a martyr of Córdoba, in Hispania (the Iberian Peninsula. His life is mentioned by Eulogius of Cordoba. He suffered martyrdom during the Diocletianic Persecution along with his sister Victoria. Their feast day is 17 November. There is doubt about the historical veracity of Victoria’s existence, but both martyrs were honored in Mozarabic liturgical rites.

After they were arrested, Acisclus and Victoria were tortured. According to tradition, Victoria was killed by arrows and Acisclus was beheaded.

One tenth century passio relates that the Roman prefect of Córdoba, Dion, an “iniquitous persecutor of Christians,” had Acisclus and Victoria cast into a fiery furnace. However, when he heard Acisclus and Victoria sing songs of joy from within the furnace, Dion had them bound to stones and cast into the Guadalquivir. They were soon floating unharmed on the river’s surface. He then suspended them over a fire. The fire, however, raged out of control and killed hundreds of pagans. The two saints then submitted to martyrdom, having proved their point and demonstrated their faith.

Their home was turned into a church. During the ninth century, some of the Martyrs of Córdoba were associated with this church, including Perfectus, a priest. More on Saints Acisclus and Victoria

Antonio Cánovas del Castillo de Rey (13 December 1908–13 May 1984), known professionally as Antonio Castillo, was a Spanish fashion and costume designer who won an Academy Award for the film Nicholas and Alexandra in the category Academy Award for Best Costume Design during the 1971 Academy Awards, that he won along with Yvonne Blake.

Antonio Castillo was born in 1908 in Madrid. He was educated in his home city at the Colegio del Pilar and the University of Madrid before studying in Granada at the El Sacro Monte…

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01 Work, RELIGIOUS ART – Interpretation of the bible, Pieter Coecke van Aelst’s Adoration of the Magi. With Footnotes – 146

Circle of Pieter Coecke van Aelst (Aelst 1502-1550 Brussels)
The Adoration of the Magi

Oil on panel
67.6 x 55.6cm (26 5/8 x 21 7/8in)
Private collection

Numerous repetitions of the present work exist with the primary version being the central panel of a triptych listed by Georges Marlier as by the ‘Master of the Musée de L’Assistance Publique’, named after the institution in Brussels where it is housed

The Adoration of the Magi (anglicized from the Matthean Vulgate Latin section title: A Magis adoratur) is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. The Adoration of the Magi

Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder (Aalst, 14 August 1502 — Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, stained glass and tapestries. His principal subjects were Christian religious themes. He worked in Antwerp and Brussels and was appointed court painter to Charles V, Holy Roman Emperor.

Coecke van Aelst was a polyglot. He published translations of Ancient Roman and modern Italian architectural treatises into Flemish, French and German. These publications played a crucial role in spreading Renaissance ideas to the Low Countries. They contributed to the transition in Northern Europe from the late Gothic style then prevalent towards a modern ‘antique-oriented’ architecture. More on Pieter Coecke van Aelst

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Pieter Coecke van Aelst, Saint Jerome 01 Painting, PORTRAIT OF A LADY., with Footnotes. #44

Attributed to Pieter Coecke van Aelst, (Aelst 1502–1550 Brussels)
Saint Jerome

Oil on panel
74 x 55 cm
Private collection

Jerome (c.  347 – 30 September 420) was a priest, confessor, theologian and historian. He was the son of Eusebius, born at Stridon, a village near Emona on the border of Dalmatia and Pannonia, then part of northeastern Italy. He is best known for his translation of most of the Bible into Latin (the translation that became known as the Vulgate), and his commentaries on the Gospels. His list of writings is extensive.

The protégé of Pope Damasus I, who died in December of 384, Jerome was known for his teachings on Christian moral life, especially to those living in cosmopolitan centers such as Rome. In many cases, he focused his attention to the lives of women and identified how a woman devoted to Jesus should live her life. This focus stemmed from his close patron relationships with several prominent female ascetics who were members of affluent senatorial families.

He is recognised as a Saint and Doctor of the Church by the Roman Catholic Church, the Eastern Orthodox Church, the Lutheran Church, and the Anglican Communion. His feast day is 30 September. More on Jerome

Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder (Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, stained glass and tapestries. His principal subjects were Christian religious themes. He worked in Antwerp and Brussels and was appointed court painter to Charles V, Holy Roman Emperor.

Coecke van Aelst was a polyglot. He published translations of Ancient Roman and modern Italian architectural treatises into Flemish, French and German. These publications played a crucial role in spreading Renaissance ideas to the Low Countries. They contributed to the transition in Northern Europe from the late Gothic style then prevalent towards a modern ‘antique-oriented’ architecture. More on Pieter Coecke van Aelst

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

                                                       
Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

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