22 Works by Orientalist Artists, Eugène Delacroix, Antoine-Jean Gros, Benjamin-Constant, Emile Lecomte-Vernet, Charles Wilda, Leopold Carl Müller, Jean-Léon Gérôme, John Frederick Lewis…, with footnotes

ALFRED DEHODENCQ, 1822 – 1882, FRENCH
THE HAJJ
Oil on canvas
85.5 by 120cm., 33¾ by 47¼in
I have no further description, at this time

Alfred Dehodencq (23 April 1822–2 January 1882) was a mid-19th-century French Orientalist painter born in Paris. He was known for his vivid oil paintings, especially of Andalusian and North African scenes. Dehodencq was born in Paris. During his early years, he studied at the Ecole des Beaux Arts. During the French Revolution of 1848 he was wounded in the arm and was sent to convalesce in the Pyrenees before moving to Madrid. He spent five years in Spain where he became acquainted with the works of Spanish painters Diego Velázquez and Francisco Goya which had a strong influence on his approach to painting.

In 1853 he travelled to Morocco, where for the following ten years he produced many of his most famous paintings depicting scenes of the world he encountered. Dehodencq was the first foreign artist known to have lived in Morocco for an extended number of years.

Dehodencq married Maria Amelia Calderon in 1857 in Cadiz, Spain, and they had three children. Dehodencq returned to Paris in 1863 with his wife, and was decorated with the Legion of Honour in 1870. He committed suicide on 2 January 1882 having been sick for a long time and is buried in the Montmartre Cemetery. More Alfred Dehodencq…

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22 Works by Orientalist Artists

ALFRED DEHODENCQ, 1822 – 1882, FRENCH
THE HAJJ
Oil on canvas
85.5 by 120cm., 33¾ by 47¼in
I have no further description, at this time

Alfred Dehodencq (23 April 1822–2 January 1882) was a mid-19th-century French Orientalist painter born in Paris. He was known for his vivid oil paintings, especially of Andalusian and North African scenes. Dehodencq was born in Paris. During his early years, he studied at the Ecole des Beaux Arts. During the French Revolution of 1848 he was wounded in the arm and was sent to convalesce in the Pyrenees before moving to Madrid. He spent five years in Spain where he became acquainted with the works of Spanish painters Diego Velázquez and Francisco Goya which had a strong influence on his approach to painting.

It is first through literature that depictions of the Orient appeared. Indeed, in 1704, Antoine Galland published the first French translation of The Arabian Nights. And in 1721, the Persian Letters by Montesquieu drew the public’s attention to the East. But the depictions of the Orient that we can find in literature are sometimes romanticized and convey a false image to the Westerners. More on Orientalism

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21 Works, June 28th. is Otto Pilny’s day, his story, illustrated with footnotes #175

Otto Pilny (Swiss, 1866-1936)
Rest in the desert
Oil on canvas
I have no further description, at this time

Otto Pilny (28 June 1866–22 July 1936) was a Swiss painter who specialized in Orientalist genre scenes.

Some of the first nineteenth-century Orientalist paintings were intended as propaganda in support of French imperialism, depicting the East as a place of backwardness, lawlessness, or barbarism enlightened and tamed by French rule…

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Otto Pilny, The Slave Market 01 Paintings by the Orientalist Artists in the Nineteenth-Century, with footnotes, 40

Otto Pilny, (Swiss artist; 1866-1936)

The Slave Market, c. 1910

Oil on canvas

520 x 347 mm, 20.5 x 13.6 in

Private collection

In an art historical context, Harem scenes depicted domestic spaces for the women in the Muslim societies, the males were only included in barbaric and sexual relations. This painting presents an unspecific Middle Eastern or North African setting in which a man inspects a nude, female slave. Women were depicted with a passive sexuality, while the men were depicted as violent and disrespectful towards women. More on this painting

Otto Pilny was a Swiss painter. He was born in 1866 in Budweis and died in 1936 in Zürich. He began his artistic education in Prague and lived in Vienna for a time before ultimately settling in Zurich. He travelled to Egypt twice, making his first visit in 1875 where he stayed for two years. He was so captivated by the landscape, people and their mores that he spent the rest of his career painting Orientalist works. He was particularly taken by the Bedouin customs and often travelled with them into the desert where he could sketch the evening entertainment which he would later use on his massive canvases. His second visit to the East was from 1889 to 1892. It was at this time that his work pleased the King of Egypt, Abbas II, and he was asked to decorate the order of the Medjidije. More Otto Pilny 

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