01 Painting, Olympian deities, Francesco Furini’s Hylas and the nymphs, with footnotes # 39

Francesco Furini, (1603–1646)
Hylas and the nymphs, c. 1630

Oil on canvas
Palazzo Pitti

Hylas was the son of King Theiodamas of the Dryopians. After Hercules killed Hylas’s father, Hylas became a companion of Hercules. They both became Argonauts, accompanying Jason in his quest on his ship Argo in seeking the Golden Fleece. During the journey, Hylas was sent to find fresh water. He found a pond occupied by Naiads, and they lured Hylas into the water and he disappeared. More on Hylas and the nymphs

Francesco Furini (c. 1600 (or 1603) – August 19, 1646) was an Italian Baroque painter of Florence, noted for his sensual sfumato style in paintings of both secular and religious subjects. He was born in Florence to an artistic family. Furini’s early training was by Matteo Rosselli. Traveling to Rome in 1619, he also would have been exposed to the influence of Caravaggio and his followers.

Furini’s work reflects the tension faced by the conservative, mannerist style of Florence when confronting then novel Baroque styles. He is a painter of biblical and mythological set-pieces with a strong use of the misty sfumato technique. In the 1630s his style paralleled that of Guido Reni.

Furini became a priest in 1633 for the parish of Sant’ Ansano in Mugello.

Freedberg describes Furini’s style as filled with “morbid sensuality”. His frequent use of disrobed females is discordant with his excessive religious sentimentality, and his polished stylization and poses are at odds with his aim of expressing highly emotional states. His stylistic choices did not go unnoticed by more puritanical contemporary biographers like Baldinucci. Pignoni also mirrored this style in his works.

Furini traveled to Rome again in the year before his death in 1646. More on Francesco Furini

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

20 Works, December 24th. is Fernand Cormon’s day, his art, illustrated with footnotes #254

Fernand Cormon
Bacchanalia of nymphs and satyrs

Oil on canvas
90 x 130 cm
Private collection

Fernand Cormon (24 December 1845–20 March 1924) was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels, and one of the leading historical painters of modern France.

His father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress…

Please follow link for full post

01 Work, Interpretations of Olympian deities, Francesco Furini’s Hylas and the nymphs, with footnotes #30

Francesco Furini, (1603–1646)
Hylas and the nymphs, c. 1630

Oil on canvas
Height: 230 cm (90.5 ″); Width: 261 cm (102.7 ″)
Palazzo Pitti

Hylas was the son of King Theiodamas of the Dryopians. After Hercules killed Hylas’s father, Hylas became a companion of Hercules. They both became Argonauts, accompanying Jason in his quest on his ship Argo in seeking the Golden Fleece. During the journey, Hylas was sent to find fresh water. He found a pond occupied by Naiads, and they lured Hylas into the water and he disappeared. More on Hylas and the nymphs

Francesco Furini (c. 1600 (or 1603) – August 19, 1646) was an Italian Baroque painter of Florence, noted for his sensual sfumato style in paintings of both secular and religious subjects. He was born in Florence to an artistic family. Furini’s early training was by Matteo Rosselli. Traveling to Rome in 1619, he also would have been exposed to the influence of Caravaggio and his followers.

Furini’s work reflects the tension faced by the conservative, mannerist style of Florence when confronting then novel Baroque styles. He is a painter of biblical and mythological set-pieces with a strong use of the misty sfumato technique. In the 1630s his style paralleled that of Guido Reni.

Furini became a priest in 1633 for the parish of Sant’Ansano in Mugello.

Freedberg describes Furini’s style as filled with “morbid sensuality”. His frequent use of disrobed females is discordant with his excessive religious sentimentality, and his polished stylization and poses are at odds with his aim of expressing highly emotional states. His stylistic choices did not go unnoticed by more puritanical contemporary biographers like Baldinucci. Pignoni also mirrored this style in his works.

Furini traveled to Rome again in the year before his death in 1646. More on Francesco Furini 

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

14 Works, Today, April 7th is artist Ferdinand Leeke’s day, his story, illustrated with footnotes #96

Leeke, Ferdinand, 1859 Burg/Magdeburg – 1923 Nuremberg
Dancing nymphs, c. 1923/25

Oil on canvas
86 x 134cm
Private collection

Ferdinand Leeke (1859–1923) was a German painter best known for his illustrations of Richard Wagner’s operas and other mythological scenes. Born on April 7, 1859 in Burg bei Magdeburg, Germany.

Around 1889 Siegfried Wagner, son of the composer Richard Wagner, commissioned Leeke to paint a series based on ten different operas written by his father (See below). These paintings were then reproduced as posters via six-color photogravure, which was a new and revolutionary process at the time…

Please follow link for full post

20 Works, December 24th. is Fernand Cormon’s day, his art, illustrated with footnotes #254

Fernand Cormon
Bacchanalia of nymphs and satyrs

Oil on canvas
90 x 130 cm
Private collection

Fernand Cormon (24 December 1845–20 March 1924) was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels, and one of the leading historical painters of modern France.

His father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress…

Please follow link for full post

17 Works, June 23rd. is John Reinhard Weguelin’s day, his story, illustrated with footnotes #170

John Reinhard Weguelin, R.W.S. (1849-1927)
A nude seated on the shore, c. 1888

Oil on canvas
10 x 20¼ in. (25.4 x 51.4 cm.)
Private collection

John Reinhard Weguelin RWS ROI (23 June 1849–28 April 1927) was an English painter and illustrator, active from 1877 to after 1910.

He specialized in figurative paintings with lush backgrounds, typically landscapes or garden scenes. Weguelin emulated the neo-classical style of Edward Poynter and Lawrence Alma-Tadema, painting subjects inspired by classical antiquity and mythology. He depicted scenes of everyday life in ancient Greece and Rome, as well as mythological subjects, with an emphasis on pastoral scenes. Weguelin also drew on folklore for inspiration, and painted numerous images of nymphs and mermaids…

Please follow link for full post

14 Works, Today, April 7th is artist Ferdinand Leeke’s day, his story, illustrated with footnotes #96

Leeke, Ferdinand, 1859 Burg/Magdeburg – 1923 Nuremberg
Dancing nymphs, c. 1923/25

Oil on canvas
86 x 134cm
Private collection

Ferdinand Leeke (1859–1923) was a German painter best known for his illustrations of Richard Wagner’s operas and other mythological scenes. Born on April 7, 1859 in Burg bei Magdeburg, Germany…

Please follow link for full post

William-Adolphe Bouguereau, Nymphs and Satyr 01 Painting, Olympian deities, with footnotes #39

William-Adolphe Bouguereau, (1825–1905)
Nymphs and Satyr, c. (1873)

Oil on canvas
Dimensions
Sterling & Francine Clark Art Institute, United States

According to the Clark Institute, in the painting “a group of nymphs have been surprised, while bathing in a secluded pond, by a lascivious satyr. Some of the nymphs have retreated into the shadows on the right; others, braver than their friends, are trying to dampen the satyr’s ardor by pulling him into the cold water — one of the satyr’s hooves is already wet and he clearly wants to go no further. Bouguereau’s working methods were traditional; he made a number of sketches and drawings of carefully posed human figures in complicated interconnected poses, linking them together in this wonderfully rhythmical composition.” More on this painting

William-Adolphe Bouguereau (30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More on William-Adolphe Bouguereau

Portrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.


Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

%d bloggers like this: