01 Work, The Art Of The Nude, Alphonsine de Challié’s Young brunette woman with a pink veil at her toilet, with footnotes # 31

Alphonsine de Challié, French, 1858 – 1904
Young brunette woman with a pink veil at her toilet
Oil on canvas
62.5 by 81½ cm., 24½ by 32 in.
Private collection

Alphonsine de Challie worked in the studio of Charles Joshua Chaplin and was a friend of Berthe Morisot. In 1875, Berthe Morisot painted the’ Woman with her toilet ‘which is today preserved at the Art Institute of Chicago. Is she undressing or getting ready? The same mystery surrounds this picture of Alphonsine Challie who was probably influenced by his elder. More on this painting
Having grown up in an intellectual family that encouraged her talent for drawing, Alphonsine de Challié studied painting under Charles Chaplin, one of the first artists to open his studio to female students among whom were Mary Cassatt, Louise Abbéma and Madeleine Lemaire. De Challié befriended fellow artist Berthe Morisot and exhibited regularly at the Salon between 1878 and 1882. More on Alphonsine de Challié

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01 Photograph, The Art Of The Nude, Manuel Álvarez Bravo’s Fruta prohibida/ Forbidden Fruit, with footnotes # 170

Manuel Álvarez Bravo (Mexican, 1902 – 2002)
Fruta prohibida [Forbidden Fruit] 1976, printed 1990s
Silver print
6 7/8×9 inches (17.5×22.9 cm.)
Private collection

Manuel Álvarez Bravo was a teenager when he first picked up a camera and began taking pictures, before he enrolled in night classes in painting at the Academia San Carlos, in 1917, or sought instruction in the darkroom of local German photographer Hugo Brehme. Initially self-taught, Álvarez Bravo’s style developed through study of foreign and local photography journals. In these pages, he first encountered the work of Edward Weston and Tina Modotti, who came to Mexico in 1923; the latter became a close colleague and supporter, introducing Álvarez Bravo to the artists of Mexico’s avant-garde, including Diego Rivera, Frida Khalo, and Rufino Tamayo, as well as encouraging him to send photographs to Weston.

In the 1930s, Álvarez Bravo met Paul Strand, traveling with him while he worked in Mexico, and Henri Cartier-Bresson. With Cartier-Bresson and Walker Evans he exhibited in a three-man show at the Julien Levy Gallery, New York, in 1935. Mexico was a cultural hub for many in the international avant-garde in these years; André Breton visited, including Álvarez Bravo in the Exposition of Surrealism he organized in 1940 in Mexico City. Although the artist never identified with Surrealism, it was a major theme in the analysis of his pictures throughout his career. Revealing the influence of his formative years following the Mexican Revolution of 1910, Álvarez Bravo would instead speak of his interest in representing the cultural heritage, peasant population, and indigenous roots of the Mexican people in the face of rapid modernization. More on Manuel Álvarez Bravo

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06 Photographs, The Art Of The Nude, Manuel Alvarez Bravo’s La Desvendada/ The Unveiled, with footnotes # 168

Manuel Álvarez Bravo
Nude, circa 1985
Gelatin silver print
25.4 x 20.3 cm
Private collection

Manuel Álvarez Bravo was a teenager when he first picked up a camera and began taking pictures, before he enrolled in night classes in painting at the Academia San Carlos, in 1917, or sought instruction in the darkroom of local German photographer Hugo Brehme. Initially self-taught, Álvarez Bravo’s style developed through study of foreign and local photography journals…

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06 Works, The Art Of The Nude, Steve Hanks’ Morning Rituals, with footnotes # 165

Steve Hanks, 1949-2015
Comfort in Solitude
Paper Lithograph
7 3/4 x 13 1/2
Private collection

Steve Hanks, 1949–2015, is recognized as one of the best watercolor artists today. The detail, color and realism of Steve Hanks’ paintings are unheard of in this difficult medium. Steve Hanks captures these patterns of life better than anyone.

Steve Hanks was born into a military family in San Diego in 1949. His father was a highly decorated WWII Navy flyer. Hanks grew up playing tennis and surfing along the beaches of Southern California…

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01 Painting, The Art Of The Nude, James Gleeson’s Salvage from Random’s Effigy, with footnotes # 165

James Gleeson, (1915 – 2008)
Salvage from Random’s Effigy, c. 1939 – 41
Oil on canvas on board
45.5 x 35.0 cm
Private collection

When James Gleeson first exhibited Salvage from Random’s Effigy, 1939 – 41 the Second World War had been raging for almost three years, eventually reaching Australian shores with the terrifying bombing of Darwin and the submarine attack on Sydney Harbour in February, then May of 1942. Gleeson and a number of his artist-associates had been concerned by the insidious rise of Fascism for many years, and utilised their individualistic styles in an attempt to illustrate or articulate the horror that they felt. Gleeson, a deeply read man who also wrote poetry, found a suitable strategy in Surrealism which, through its probing and analysis of the subconscious, explored ‘the realms of imagination and politics’.1 Nearly eighty years after their creation, his paintings remain some of the most enigmatic and haunting images to have been produced in Australia during this traumatic period. More on this painting

Known as the Father of Australian Surrealism, artist, poet, and critic James Gleeson examines human nature in Surrealist landscapes. His interest in classical figures and mythology inspired by artists like William Blake and El Greco, along with his unease about the fate of humanity as a result of the World Wars, resulted in a body of work featuring an apocalyptic fantasy world. In his alternative reality—as seen in works like Aspiring Echoes (1999)—punishment for historical brutalities are brought to bear in the near future in a mood of disturbing and seductive foreboding. His meticulously rendered and lusciously painted scenes of geological shapes and biomorphic forms merge into the macabre. The artist studied at East Sydney Technical College and the Sydney Teachers’ College. Gleeson’s work is in numerous collections including the Art Gallery of New South Wales, the National Gallery of Victoria, and the National Gallery of Australia. More on James Gleeson

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07 Paintings, Max Middleton, On the Beach with Hazel and Danielle, with footnotes # 163

Max Middleton (1922 – 2013)
Detail; Hazel On the Beach
Oil on canvas
57 x 41cm
Private collection

Max Middleton enjoyed a long and highly acclaimed career as a professional artist, exhibiting in 68 exhibitions over 66 years. He died in 2013. Max had a great interest in the Australian landscape. As an en plein air painter, he faithfully rendered what he saw. He had an extraordinary ability to capture light on canvas…

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01 Painting, The Art Of The Nude, Harrington Mann’s Nude, with footnotes # 166

Harrington Mann, (British, 1864-1937)
Nude, c. 1933
Oil on canvas
50.8 x 63.5 cm. (20 x 25 in.)
Private collection

Harrington Mann (7 October 1864, Glasgow–28 February 1937, New York City) was a Scottish portrait artist and decorative painter. He was a member of the Glasgow Boys movement in the 1880s.Mann began his studies at the Glasgow School of Art. He then studied at the Slade School of Fine Art in London under professor Alphonse Legros. He then studied in Paris under the guidance of the figure painters Gustave Boulanger and Jules-Joseph Lefebvre at the Academie Julian for a short time.

Mann’s early paintings from the 1880s are mainly of fishing communities in Yorkshire. He began to develop a name for himself in portrait painting in the 1890s.

He had a strong sense of colour and design for decorating interior walls and for stained glass. In the 1890s he designed for the Scottish firm of J. and W. Guthrie. In 1893 he designed the stained glass for the west window of St Bartholomew’s Church, Barbon, in what is now Cumbria.

In 1900, he moved south to London, also opening a studio in New York, where his paintings became popular. In London, he found success in society portraits, especially of children and including members of the British royal family.

Mann was one of the founder members of the National Portrait Society in 1911. More on Harrington Mann

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02 Paintings, The Art Of The Nude, Anwen Keeling’s Swathe and The Radiance, with footnotes # 161

Anwen Keeling (born 1971)
Swathe, c. 2014
Oil on linen
102 x 152cm
Private collection

Anwen Keeling (born 1971)
The Radiance 2007
Oil on canvas
91 x 137cm
Private collection

Anwen Keeling (born in 1976) is an Australian portrait painter. Working primarily with oil paints, her artworks have often focused on introspective women in private settings. She has „always been influenced by Caravaggio.“ Her artworks prominently contain areas of deep shadows.

Keeling was born in Sydney and received a Bachelor of Arts (Visual) with Honours (First Class) and University Medal, from the Canberra School of Art at the Australian National University. She received a Master of Arts (European Fine Art) from the Winchester School of Art at Southampton University in Barcelona, Spain. More on Anwen Keeling

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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01 Painting, The Art Of The Nude, Unknown Artist’s A LONG-HAIRED NUDE, with footnotes # 159

VINTAGE NUDE; Unknown Artist
A LONG-HAIRED NUDE
Un-Embelished Giclee Print
20 1/8 x 30 Inches
Private collection

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01 Painting, The Art Of The Nude, Cui Xiaodong’s Nude girl, with footnotes # 158

Cui Xiaodong (Chinese, born 1964)
裸女 油画/ Nude girl
Oil on canvas
160 x 85 cm. (63 x 33.5 in.)
Private collection

Cui Xiaodong was born in Qiqihar, Heilongjiang Province though his ancestral home was Yangzhou, Jiangsu Province. Cui Xiaodong graduated from the Department of Traditional Chinese Painting, CAFA in 1988 with a Master’s degree. Currently he is a professor of CAFA, Director of Yanhuang Art Museum.

With a profound traditional foundation in painting, Cui Xiaodong’s landscape painting is the combination of the tradition of Chinese painting and modern people’s aesthetic consciousness and the spirit of the age, he creates a dignified and vigorous, natural and fresh style of landscape painting, he is a representative of contemporary Chinese painting and has an important status in this field. His works are collected by the National Museum of China, CAFA, National Art Museum of China, The Great Hall of the People, Zhongnanhai Central Government Compound as well as in individual collections at home and abroad. He has published more than 30 books and individual workscatalogues. More on Cui Xiaodong

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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06 Paintings, The Art Of The Nude, by Cui Xiaodong with footnotes # 157

Cui Xiaodong (Chinese, born 1964)
Floating , c. 2010
Oil on canvas
130 x 130 cm. (51.2 x 51.2 in.)
Private collection

Cui Xiaodong’s works are very pure oil paintings. The characteristics of oil paintings are fully exerted, and the interest of the shape and the expression of colors are combined very well. This kind of oil painting with traditional skills, the techniques are mastered so skillfully. Cui Xiaodong’s colors are thick, and his brushwork is delicate and vigorous. He has both the strictness of the northern style and the combination of the southern agile brushwork. The colors are very powerful. Chen Danqing…

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01 Painting, The Art Of The Nude, Dina Larot’s Virgin, with footnotes # 154

Dina Larot, Austrian, born 1943
Virgin, c. 1993
Oil on canvas
43,3 x 27,6
Private collection

Dina Larot is a 20th-century Austrian painter. Known for both her landscapes and erotic female nudes, Larot’s stylized aesthetic is marked by the influence of earlier Austrian masters, the painters Gustav Klimt and Oskar Kokoschka. Her figures in particular recall the elongated forms and intimate sensuality of the Vienna Succession artists. Born in 1943 in Vienna, Austria, Larot studied under noted artist Rudolf Szyszkowitz at the School of Applied Art in Graz, as well as with Oskar Kokoschka himself in Salzburg. Larot lives and works in Vienna. More on Dina Larot

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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01 Painting, The Art Of The Nude, Boris Kustodiev’s Model, with footnotes # 156

Boris Kustodiev, (1878-1927)
Model, c. 1919
Oil on canvas
20 ¼ x 15 7/8 in. (51.3 x 40.4 cm.)
Private collection

Boris Mikhailovich Kustodiev was born in Astrakhan on March 7, 1878 into the family of a professor of philosophy, history of literature, and logic at the local theological seminary.

Between 1893 and 1896, Boris took private art lessons in Astrakhan. Subsequently, from 1896 to 1903, he attended Ilya Repin’s studio at the Academy of Arts in St. Peterburg. Concurrently he took classes in sculpture under Dmitry Stelletsky and in etching under Vasily Mathé.

In 1904, he traveled to Spain, in 1907 to Italy, and in 1909 visited Austria, France, and Germany, and again Italy. During these years he painted many portraits and genre pieces.

In 1909, Kustodiev developed the initial symptoms of the grave illness that in 1916 paralyzed the lower part of his body, thus confining him to his studio where he continued to paint, relying on memories from his boyhood and youth and on his imagination. 

In 1923, Kustodiev joined the Association of Artists of Revolutionary Russia. He continued to paint, make engravings, illustrate books and design for the theater up until his death on May 28, 1927, in Leningrad. More on Boris Kustodiev

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01 Painting, The Art Of The Nude, Josh Honeyman’s Victorine Meurent and her crayons, with footnotes # 152

Josh Honeyman, Australia
Victorine Meurent and her crayons
Oil on Canvas.
39.4 W x 59.1 H x 0.2 in
Private collection

Victorine-Louise Meurent (February 18, 1844 – March 17, 1927) was a French painter and a famous model for painters. Although she is best known as the favourite model of Édouard Manet, she was also an artist in her own right who regularly exhibited at the prestigious Paris Salon. In 1876 her paintings were selected for inclusion at the Salon’s juried exhibition, when Manet’s work was not.

Meurent’s name remains forever associated with Manet’s masterpieces of 1863, The Luncheon on the Grass and Olympia, which include nude portrayals of her. More on Victorine Meurent

Josh Honeyman lives near Blackheath close to the highest point of the Blue Mountains. He takes us there, into visionary landscapes, reimagining the world through a host of signs, symbols and haunting scenarios. Arcane narratives are suggested, ones steeped in myth, portents and divinations. There’s love, death, poetry, mystery, wizardry, far beyond anything the camera can offer. The fact that Honeyman is a highly skilled painter allows him to convince us of the validity of these alternative realms. Let’s go there, not all the time, but long enough to recognise that the human spirit is more than just a receptacle for the banal pragmatism and dull conventions of Western rationalism. Robert Hollingworth, 2019

Josh studied at the College of Fine Arts, Sydney. He has exhibited in a range of solo and group shows across Australia and in Los Angeles, USA in 2006.

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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06 Photographs, The Art Of The Nude, Playboy’s Raquel Welch in her blue bikini, with footnotes # 113

Chris von Wangenheim
Reflection, Raquel Welch, Playboy, c. 1979
Photograph
Private collection

Chris von Wangenheim was born in Breig, in what was then a war-torn East Prussia, in 1942. His father was an officer in the German Army who died in Soviet captivity in 1953. This tragedy would go on to inform his son’s dark nature. By this time von Wangenheim was living in the Bavarian mountains with his mother and sister and, inspired by a photographer living in the upstairs flat, had developed a burgeoning interest in photography. Von Wangenheim carried this fascination with him into adulthood. In 1965 he relocated to New York City to kickstart his own career. He got his start as an assistant for Harper’s Bazaar photographer James Moore, and as a result secured a few pages in the magazine…

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01 Work, The Art Of The Nude, Katerina Belkina’s For (Egon) Schiele, with footnotes # 146

Katerina Belkina, Russian, b. 1974
Detail; For (Egon) Schiele
Archival pigment print
120 by 84cm., 47 by 33in.
Private collection

Egon Schiele (German: 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele’s paintings and drawings mark the artist as an early exponent of Expressionism. More on Egon Schiele

Katerina Belkina (born 1974, Samara, Russia) is a Russian contemporary pictoralist photographer and painter. She digitally manipulates many of her photographs to appear as paintings, and often uses herself as the model in her work.

From 1989 Belkina studied at the Art School and the Petrow-Vodkin art academy in Samara. From 1994 – 1999 she worked at the publishing house Fedorow in Samara. In 2000 she started to study at the Michael-Musorin school for photography in her hometown where she studied till 2002. At the same time she worked as a computer graphic designer at a Russian television channel.

In 2007, Belkina was nominated for the Russian Kandinsky Prize. In 2009/2010 she was at the 1st Photo Biennale of the Russian Museum at the Marble Palace in St. Petersburg. In 2011, she was in the framework of the Fourth Moscow Biennale of Contemporary Art. In 2015, she was awarded the International Lucas-Cranach-Preis. In 2016, she won the Hasselblad Masters’ Competition with a self-portrait as a pregnant woman.

Belkina is a member of the Union of Russian Photographers.

Belkina’s photographic work is strongly influenced by the painting. It focuses entirely on portraits. In recent years she mainly focused on staged self-portraits.The series “Paint” combined picturesque and photographic elements and reinterpreted paintings by famous painters. The series “Hieroglyph” consists of body fragments, processed for a collage. The series “Empty Spaces” was created in 2010/11.  More on Katerina Belkina

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01 Painting, The Art Of The Nude, Leon Kroll’s Reclining Nude, with footnotes # 139

Leon Kroll
Reclining Nude
Pastel on Board
12 inches x 16 inches.
Private collection

Leon Kroll (December 6, 1884 – October 25, 1974) was an American painter and lithographer. Known as a figurative artist, Life Magazine described him as “the dean of U.S. nude painters,” yet he was an exceptional landscape painter and also produced an exceptional body of still life compositions.

He studied at the Art Students League of New York, and at the Académie Julian in Paris in the late 1800s. In 1913 Kroll showed work at the Armory Show.

Kroll taught at the Art Students League of New York and the school of the National Academy of Design, where he had his first solo exhibition in 1910, was named as Associate in 1920 and as full Academician in 1927. In 1930, he was elected to the American Academy of Arts and Letters. He was also named Chevalier of the Legion of Honor in 1950. Kroll died in Gloucester, Massachusetts aged 89. More on Leon Kroll

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01 Photograph, The Art Of The Nude, Ruth Bernhard’s Detail; Transparent, with footnotes # 137

Ruth Bernhard, (American, 1905-2006)
Detail; Transparent, c. 1968
Gelatin silver
9-5/8 x 6-1/2 inches (24.4 x 16.5 cm)
Private collection

Ruth Bernhard, American photographer (born Oct. 14, 1905, Berlin, Ger.—died Dec. 18, 2006, San Francisco, Calif.), celebrated the female form with her light-infused black-and-white nudes, which were distinctive for their clarity and carefully wrought details. Bernhard’s career took a pivotal turn after a chance meeting with photographer Edward Weston, who became her mentor. She joined the Group f.64, a Modernist circle of photographers that included Weston, Ansel Adams, and Dorothea Lange. Bernhard was primarily a studio photographer, and she spent hours setting up compositions that featured inanimate objects. A perfectionist whose output was slim, Bernhard earned a living by teaching and taking on commercial assignments. More on Ruth Bernhard

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01 Photograph, The Art Of The Nude, Lidia Wylangowska’s Eva, with footnotes #141

Lidia Wylangowska, United States
Eva
Giclee print
36 W x 40 H x 0.1 in
Private collection

Lidia Wylangowska: “My art tells my story. It’s a story of my world, of my thoughts and emotions entwined in an internal dialogue. And some of it can be expressed only through painting. It is incredible, how fairy-tales I heard once-upon-a-time, in my childhood actually influenced my life and defined who I am. 

The technique I use in my works is changing and evolving as I do. There is a lot my very own inventions in it but the very base comes from Renaissance Masters. Masaccio, Leonardo da Vinci , Raphael are commonly considered to have pioneered the use of chiaroscuro to create the illusion of relief – notably in the modelling of the human body. Chiaroscuro modeling is supporting the effect of color. In order to use the under painting efficiently, I put the color transparently. The transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. Light travels through the glaze and is reflected back off of the opaque layer below. The light in the painting constructed this way lit the color from the bottom. More on Lidia Wylangowska

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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03 Photographs, The Art Of The Nude, by Fabio Cabral, with footnotes # 136

Fabio Cabral, (Brazilian, b. 1958)
Mulher Tirando a Blusa/ Woman taking off her blouse
Photography
60 x 50 cm
Private collection

Fabio Cabral was born in Rio de Janeiro, 1958. He is a freelance Photographer and Film Director that has been working with digital and traditional techniques since 1982. He has given up his work as a medical doctor due to a strong desire to work with arts. His work focuses predominantly on: fiction — advertisement and fashion, institutional, documentary, creative photography and fine art photography…

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