In Greek and Roman mythology, the god Saturn was warned that one of his offspring would overthrow him, so he ate his children at birth. To protect their son, his wife Ops took the infant Jupiter to the island of Crete to be raised by the Corybantes, who used the rhythm of their dancing and the clashing of their cymbals to disguise the baby’s cries so he would not be discovered by Saturn.
Paul-Jacques-Aimé Baudry (7 November 1828–17 January 1886) was a French painter…
Ivan Aivazovsky, (1817–1900) Descent of Noah from Ararat, c. 1889 Oil on canvas Height: 128 cm (50.3 in); Width: 218 cm (85.8 in) National Gallery of Armenia
The people in this painting are not just Biblical figures, they are Aivazovsky’s dreamy imagining of his own romanticized Armenian roots combined with a vaguely conceived Orientalism that looked towards an old Constantinople and beyond for a sense of uncorrupted identity.
The illusion that Aivazovsky creates here, around the Old Testament story of Noah and his family leading the animals down from the postdiluvian resting place of their ark, is of a shared past sustained by supposedly timeless truths and uncorrupted by the prospect of radical human dissent from those truths. More on this painting
Ivan Aivazovsky, (1817–1900)
Detail, Descent of Noah from Ararat, c. 1889
Oil on canvas
Height: 128 cm (50.3 in); Width: 218 cm (85.8 in)
National Gallery of Armenia
Ivan Konstantinovich Aivazovsky (29 July 1817 – 2 May 1900) was a Russian Romantic painter. Aivazovsky was born into an Armenian family in the Black Sea port of Feodosia and was mostly based in his native Crimea.
Following his education at the Imperial Academy of Arts, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s. He then returned to Russia and was appointed the main painter of the Russian Navy. Aivazovsky had close ties with the military and political elite of the Russian Empire and often attended military maneuvers. He was sponsored by the state and was well-regarded during his lifetime.
One of the most prominent Russian artists of his time, Aivazovsky was also popular outside Russia. He held numerous solo exhibitions in Europe and the United States. During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time.The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture. Most of Aivazovsky’s works are kept in Russian, Ukrainian and Armenian museums as well as private collections. More on Ivan Konstantinovich Aivazovsky