
The Entombment of Christ ( 1521-1526)
The main altar of the Monastery of St. Jerome.
The frieze composition is based on an iconographic scheme dating back to at least the thirteenth century. Displaying a solid classical culture, the sculptor locks the figures in a closed and compact composition. Reducing the number of mourners is crucial in the final outcome of the composition. Limiting the number of actors is, moreover, strictly Orthodox; to distance himself from the Apocrypha and other non — canonical texts, common sources of inspiration for this sculpture theme. The pair of women who accompanied Joseph of Arimathea derived from the Gospel story of Matthew and Mark and Nicodemus of John…