1 Religious Icon, DUTCH MASTER’s Crowning of Mary, with footnotes #25

DUTCH MASTER
Crowning of Mary

Oil/tempera on oak. Parqueted
78 x 51cm.
Private collection

Surrounded by a cloud aureole God the Father (to the left) and Christ (to the right) are sitting on a throne bank with high rests. God the Father is dressed in a coat of brocade and has a tiara on his head. Christ wears a green-lined red coat and holds the globe in his left hand. Together they hold the crown above Mary’s head who is kneeling in between them, her hands clasped for prayer. In this way she is crowned Queen of Heaven. Behind the throne bank there are two angels observing what is going on. In the upper margin of the painting there is the dove of the Holy Spirit which, together with God the Father and Christ represents the Holy Trinity. All of the flesh tones are overall in a good condition. The background shows a condition, which makes presume a former pressed brocade application. The rather curious rests of the throne also support this presumption, because they would fit more organically into such an original context. The entire colouring of the work shows a harmonic character which is typical for this time. The painting might be a section of a formerly large retable. More on this work

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14 Paintings, scenes from the Bible, by The Old Masters, Andrea Vicentino, Andrea Vaccaro, Guido Reni, Francesco Capella, Carlo Maratta, Robert Campin, Matteo Rosselli, Niccolò Tornioli and Bartolomeo Cavarozzi, with footnotes # 35

Andrea Vicentino, (1539-1614)
The Crusaders Conquering the City of Zara in 1202

Oil on canvas
Sala del Maggior Consiglio, Venezia, Italy

Andrea Vicentino (c. 1542–1617) was an Italian painter of the late-Renaissance or Mannerist period. He was a pupil of the painter Giovanni Battista Maganza. Born in Vicenza, he was also known as Andrea Michieli or Michelli. He moved to Venice in the mid-1570s and registered in the “Fraglia” or guild of Venetian painters in 1583. He worked alongside Tintoretto at the Palazzo Ducale in Venice, helping paint Arrival of Henry III at Venice (c. 1593) at the Sala delle Quattro Porte of the Ducal palace, as well as works in the Sala del Senato and dello Scrutinio. He also painted the altarpiece of Madonna of the Rosary (c. 1590) for the cathedral of Treviso, God the Father with Three Theological Virtues (1598) for the church in Gambara, and St Charles Borromeo (c. 1605) for a church in Mestre.Paintings by him exist in a number of galleries including the ‘Raising of Lazarus’ at the National Museum of Fine Arts in Valletta, Malta. More on Andrea Vicentino

The Siege of Zara or Siege of Zadar (10–24 November 1202) was the first major action of the Fourth Crusade and the first attack against a Catholic city by Catholic crusaders. The crusaders had an agreement with Venice for transport across the sea, but the price far exceeded what they were able to pay. Venice set the condition that the crusaders help them capture Zadar (or Zara), a constant battleground between Venice on one side and Croatia and Hungary on the other, whose king, Emeric, pledged himself to join the Crusade…

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09 Works – Maximilian I became Holy Roman Emperor, with footnotes

Bernhard Strigel (1460–1528)
Portrait of Maximilian I, Holy Roman Emperor, c. around 1500

Oil on lime
60.7 × 40.9 × 3 cm
Kunsthistorisches Museum

Maximilian I (1459–1519), Holy Roman emperor from 1493 to 1519, began the restoration of the power of the Hapsburgs. His intense interest in the arts and in public display earned him a place in legend as well as history…

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01 Work, RELIGIOUS ART – Interpretation of the bible, Latin American Painting of Mary with Jesus, with Footnotes – #183

Latin American Painting, (South / Central American, 19th Century or later)
Mary with Jesus

Oil on Canvas
33 in. x 24 3/4 in.
Private collection

The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means “My Lady” in Italian. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. Paintings known as icons are also an important tradition of the Orthodox Church and often show the Mary and the Christ Child. They are found particularly in Eastern Europe, Russia, Egypt, the Middle East and India. More Madonna and Child

Latin American art is the combined artistic expression of South America, Central America, the Caribbean, and Mexico, as well as Latin Americans living in other regions.

The art has roots in the many different indigenous cultures that inhabited the Americas before European colonization in the 16th century. The indigenous cultures each developed sophisticated artistic disciplines, which were highly influenced by religious and spiritual concerns. Their work is collectively known and referred to as Pre-columbian art. The blending of Native American, African and European cultures has resulted in a unique mestizo tradition. More on Latin American Painting

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images — credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

22 works, PORTRAIT OF A LADY, Mary, Queen of Scots, beheaded February 8th, 1587, with Footnotes. #185

Jacob Jacobsz de Wet II (1641, Haarlem – 1697, Amsterdam)
Mary, Queen of Scots (1542-87), c. 1684-86

Number 107 in the series. Inscribed MARIA STEWARTVS. 1543
Oil on canvas
214.0 x 137.0 cm
The Royal Collection Trust

Mary, Queen of Scots (8 December 1542–8 February 1587), also known as Mary Stuart, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567.

The only surviving legitimate child of James V of Scotland, Mary was six days old when her father died and she acceded to the throne. During her childhood, Scotland was governed by regents, first by the heir to the throne, James Hamilton, Earl of Arran, and then by her mother, Mary of Guise. In 1548, she was betrothed to Francis, the Dauphin of France, and was sent to be brought up in France, where she would be safe from invading English forces during the Rough Wooing. Mary married Francis in 1558, becoming queen consort of France from his accession in 1559 until his death in December 1560…

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16 works, Today, January 1st, is Mary the Blessed Virgin’s day, her story, illustrated #364

Edvard Munch, (1863–1944)
Detail; Madonna, c. 1895

Oil on canvas
Height: 90 cm (35.4 in); Width: 71 cm (27.9 in)
Kunsthalle, Hamburg

Mary’s father Joachim was a wealthy member of one of the Twelve Tribes of Israel. He and his wife Anne were deeply grieved by their childlessness. Joachim consequently withdrew to the desert, where he fasted and did penance for 40 days. Angels then appeared to both Joachim and Anne to promise them a child…

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04 works, Today, November 21st, is The Entry of the Virgin Mary’s presentation into the Temple, her story illustrated #324

Manuel Panselinos, Karyes
Detail; Entrance into the temple of the Most Holy Theotokos, c. 13th century

Fresco
Mt. Athos

The Presentation of the Blessed Virgin Mary, known in the East as The Entry of the Most Holy Theotokos into the Temple, is a liturgical feast celebrated by the Catholic, Orthodox Churches, and some Anglo-Catholic Churches…

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MIGUEL RUDECINDO CONTRERAS, MARY AT THE FOOT OF THE CROSS 01 Works, RELIGIOUS ART – Interpretation of the Bible!, With Footnotes – 96

MIGUEL RUDECINDO CONTRERAS

MIGUEL RUDECINDO CONTRERAS, (MEX., ACT. MID 18TH CENTURY)

MARY AT THE FOOT OF THE CROSS

Oil on canvas

167 x 106 cm

Private collection

The crucifixion of Jesus occurred in 1st-century Judea, most likely between AD 30 and 33. Jesus’ crucifixion is described in the four canonical gospels, referred to in the New Testament epistles.

Jesus was arrested and tried by the Sanhedrin, and then sentenced by Pontius Pilate to be scourged, and finally crucified by the Romans. Jesus was stripped of his clothing and offered wine mixed with myrrh or gall to drink before being crucified. He was then hung between two convicted thieves and died some six hours later. During this time, the soldiers affixed a sign to the top of the cross stating “Jesus of Nazareth, King of the Jews” which, according to the Gospel of John, was written in three languages. After Jesus’ death, one soldier pierced his side with a spear to be certain that he had died. More on The crucifixion of Jesus

MIGUEL RUDECINDO CONTRERAS, (MEX., ACT. MID 18TH CENTURY) was a New Spain painter, student of José de Ibarra, who made a famous portrait that is preserved in the MUNAL. He worked with Ibarra in the paintings of the martyrdoms of the apostles of the Temple of the Holy and Hospital of San Pedro in Mexico City, and was a founding member of the Academy of San Carlos. More on  Contreras

Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.

09 Paintings, PORTRAIT OF A LADY, from the 18th & 19th C., with Footnotes. #3a

Master John (floruit 1544-1545)

Portrait of Queen Mary I (1516-1558)

“Bloody Mary”

Oil on panel

711 × 508 cm (279.9 × 200 in)

National Portrait Gallery, London, UK

Mary I (18 February 1516 – 17 November 1558) was the Queen of England and Ireland from July 1553 until her death. Her executions of Protestants led to the posthumous sobriquet “Bloody Mary”.

She was the only child of Henry VIII and his first wife Catherine of Aragon to survive to adulthood. Her younger half-brother Edward VI (son of Henry and Jane Seymour) succeeded their father in 1547.

When Edward became mortally ill in 1553, he attempted to remove Mary from the line of succession because of religious differences. On his death their first cousin once removed, Lady Jane Grey, was proclaimed queen. Mary assembled a force in East Anglia and deposed Jane, who was ultimately beheaded. Mary was—excluding the disputed reigns of Jane and the Empress Matilda—the first queen regnant of England. In 1554, Mary married Philip of Spain, becoming queen consort of Habsburg Spain on his accession in 1556.

Mary is remembered for her restoration of Roman Catholicism after her half-brother’s short-lived Protestant reign. During her five-year reign, she had over 280 religious dissenters burned at the stake in the Marian persecutions. After her death in 1558, her re-establishment of Roman Catholicism was reversed by her younger half-sister and successor Elizabeth I, daughter of Henry and Anne Boleyn.

Master John was an English Tudor court painter (active 1544/45). More

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