Khaled Hourani; Crowd #1, 2019 01 work, MIDDLE EASTERN ART, With Footnotes – 41

Khaled Hourani 1
Khaled Hourani
Crowd #1, 2019
Acrylic on canvas
45 3/10 × 40 1/5 in, 115 × 102 cm
Private collection

Khaled Hourani, Born in Hebron, Palestine, in 1965. Khaled Hourani lives and works in Ramallah. He was Artistic Director (2007-2010) and Director (2010-2013) of the International Academy of Art Palestine, of which he is also one of the co-founders. He previously worked as the General Director of the Fine Arts Department of the Palestinian Ministry of Culture (2004-2006). Hourani has participated in many local and international exhibitions, most recently in a retrospective at Darat Al Funun in Amman , Jordan (2017).

In 2014, his first retrospective exhibition took place at the CCA in Glasgow and Gallery One in Ramallah. He exhibited works at the Times Museum in Guangzhou, China and in the 2nd CAFA Biennale of the CAFA Museum in Beijing. He also participated in dOCUMENTA (13) in Kassel, and KW Institute for Contemporary Art, Berlin. Moreover, Hourani was also one of the artists of the Sharjah Biennial in 2011. Hourani was the initiator of the 2011 Picasso in Palestine project. He has curated and organized several exhibitions, is an art critic and an active member and founder of a number of cultural and art institutions. Recently, he was the recipient of the Leonore Annenberg Prize, Creative Time for Art and Social Change in New York City.

Hourani has been working for over a year on a book project, which is itself based on a novel about a painting titled Jamal Al Mahamel by Palestinian artist Suleiman Mansour. This artwork was sold to  the former Libyan president Muammar al Gaddafi in the 1970s. Through this project, Hourani seeks to figure out what happened to the painting and the circumstances of its disappearance after the 2011 political upheavals in Libya. He also raises the question of the perception of art both in Palestine and Libya. More on Khaled Hourani

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.
Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

Albert Marquet, MARSEILLE, LE VIEUX PORT/ MARSEILLE, THE OLD PORT 01 Work of Art, Marine Paintings – With Footnotes, #221

Albert Marquet
Albert Marquet, 1875 – 1947
MARSEILLE, LE VIEUX PORT/ MARSEILLE, THE OLD PORT
Oil on canvas
33,5 x 41,4 cm; 13 1/4 x 16 1/4 in.
Private collection

Marseille was an important European trading centre and remains the main commercial port of the French Republic. Marseille is now France’s largest city on the Mediterranean coast and the largest port for commerce, freight and cruise ships. More on Marseille

Albert Marquet (27 March 1875 – 14 June 1947) was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings. More on Albert Marquet

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Italian master of the 17th century; THE ROYAL OF THE SABINERS 01 Painting, Olympian deities, by the Old Masters, with footnotes #36

Italian master of the 17th century
Italian master of the 17th century
THE ROYAL OF THE SABINERS
Oil on canvas. Relined.
117 x 187 cm.
Private collection

In the center of the large-format picture, in the open air, two Romans in armor with spring-loaded helmet, holding in their hands a young woman who defends herself with arms raised against their abduction. On the left side of the picture the wide sea with a big sailboat. A young man with a helmet and a paddle in his hands seems to be waiting for the abductee to take her away with his boat. On the right side underneath a round temple eager battles fight, in which also a horse is to be seen. More on this painting


The Sabines were an Italic people that lived in the central Apennine Mountains of ancient Italy, also inhabiting Latium north of the Anio before the founding of Rome.
The Sabines divided into two populations just after the founding of Rome, which is described by Roman legend. The division, however it came about, is not legendary. The population closer to Rome transplanted itself to the new city and united with the preexisting citizenry, beginning a new heritage that descended from the Sabines but was also Latinized. The second population remained a mountain tribal state, coming finally to war against Rome for its independence along with all the other Italic tribes. After losing, it became assimilated into the Roman Republic. More on The Sabines
In art history, “Old Master” refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. The term “old master drawing” is used in the same way.
In theory, “Old Master” applies only to artists who were fully trained, were Masters of their local artists’ guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. More on the Old Master

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Luis de Morales; Christ as the Man of Sorrows 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 175

Attributed to Luis de Morales (Badajoz circa 1509-1586)
Attributed to Luis de Morales (Badajoz circa 1509-1586)
Christ as the Man of Sorrows
Oil on panel
35.9 x 30.1cm (14 1/8 x 11 7/8in)
Private collection

Man of Sorrows is paramount among the prefigurations of the Messiah identified by Christians in the passages of Isaiah 53 in the Hebrew Bible. It is also an iconic devotional image that shows Christ, usually naked above the waist, with the wounds of his Passion prominently displayed on his hands and side, often crowned with the Crown of Thorns and sometimes attended by angels. It developed in Europe from the 13th century, and was especially popular in Northern Europe.

The image continued to spread and develop iconographical complexity until well after the Renaissance, but the Man of Sorrows in its many artistic forms is the most precise visual expression of the piety of the later Middle Ages, which took its character from mystical contemplation rather than from theological speculation”. Together with the Pietà, it was the most popular of the andachtsbilder-type images of the period – devotional images detached from the narrative of Christ’s Passion, intended for meditation. More on the Man of Sorrows

Luis de Morales (1512 – 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as “El Divino”, most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.

Influenced, especially in his early work, by Raphael Sanzio and the Lombard school (fr) school of Leonardo, he was called by his contemporaries “The Divine Morales”, because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.

His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish Renaissance painters. More on Luis de Morales

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Anthony Thieme, Harbour Scene 01 Work of Art, Marine Paintings – With Footnotes, #220

Anthony Thieme (1888 - 1954)
Anthony Thieme, (1888 – 1954)
Harbour Scene
Oil on canvas
25.5″H x 35.5″W
Private collection

Anthony Thieme (20 February 1888 – 6 December 1954) was a landscape and marine painter and a major figure of the Rockport (MA) School of American regional art.

Born in Rotterdam on 20 February 1888, Thieme studied at the Academie of Fine Arts in Rotterdam for two years and then, briefly, at the Royal Academy, the Hague. He traveled widely in Europe, frequently finding work as a stage designer.

Thieme traveled to the United States at the age of 22. He quickly found work as a stage designer at the Century Theater in New York, designing sets for the Russian ballerina Anna Pavlova. When the commission ended, he traveled to South America, primarily Brazil and Argentina. Stage work again provided his livelihood. A return to Europe followed with further work in England, France, and Italy.

Returning to the United States with a contract for additional stage work, Thieme found himself in Boston. He discontinued work on the stage in 1928 and from then on made his living with the sales of his paintings and etchings. He established the Thieme School of Art. He exhibited his work frequently at the Grand Central Art Galleries in New York.

Thieme committed suicide on 6 December 1954 in Greenwich, CT. The circumstances of his death are not fully understood. There have been stories of deep depression or major illness, but no definitive rationale for his suicide has emerged.

Anthony Thieme was a full member of the American Watercolor Society, Art Alliance of America, the Salmagundi Club, the Boston Art Club, North Shore Art Association, Rockport Art Association, New York Water Color Club, Art Alliance of Philadelphia and the National Arts Club. More Anthony Thieme

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Warren B. Davis; A Young Nymph 01 Work, The Art Of The Nude, with footnotes # 49

Warren B. Davis
Warren B. Davis (1865-1928 Brooklyn, NY)
A Young Nymph
Oil on canvas laid to board
8″ H x 10″ W
Private collection

A nymph in Greek and Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from other goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are beloved by many and dwell in mountainous regions and forests by lakes and streams. Although they would never die of old age nor illness, and could give birth to fully immortal children if mated to a god, they themselves were not necessarily immortal, and could be beholden to death in various forms. More on nymphs

Warren B. Davis (1865–1928) was an American painter and illustrator known for his dry-point etchings and tempera paintings of idealized young women. Davis studied at the Art Students League in New York and is often compared to similar artists of his time, N.C. Wyeth and Maxfield Parrish.

His commercial work include illustrations for Vanity Fair, Life Magazine, and The Ladies World.

Now his work can be seen at The Richter Gallery in Bellows Falls, Vermont and at the Cleveland Museum of Art. More on Warren B. Davis

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Charles Louis Müller, ODALISQUE 01 Painting, PORTRAIT OF A LADY, with Footnotes. #65

Charles Louis Müller
Charles Louis Müller, 1815 – 1892, FRENCH
ODALISQUE
Oil on canvas
130.5 by 89cm., 51 by 35in.
Private collection

An odalisque (Turkish: Odalık) was a chambermaid or a female attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan.

An odalık was not a concubine of the harem, but a maid, although it was possible that she could become one. An odalık was ranked at the bottom of the social stratification of a harem, serving not the man of the household, but rather, his concubines and wives as personal chambermaids. Odalık were usually slaves given as gifts to the sultan by wealthy Turkish men. Generally, an odalık was never seen by the sultan but instead remained under the direct supervision of his mother, the Valide Sultan.

If an odalık was of extraordinary beauty or had exceptional talents in dancing or singing, she would be trained as a possible concubine. If selected, an odalık trained as a court lady would serve the sultan sexually and only after such sexual contact would she change in status, becoming thenceforth one of the consorts of the sultan.

In contrast to European depictions of nude harem women, they more often wore androgynous robes resembling those worn by the male pages of the palace. The conditions of the Ottoman harem “resembled a monastery for young girls more than the bordello of European imagination. More on an odalisque

Charles Louis Müller [also known as Müller de Paris] (Paris 22 December 1815 – 10 January 1892 Paris) was a French painter. He was a fecund producer of historic pictures and portraits.

A pupil of two renowned masters of neoclassical and pre – romantic painting , Antoine-Jean Gros and Léon Cogniet , he was a versatile talent, a painter of history , a genre painter , a portraitist and a decorator. Presented at the Salon in 1834, he exposes until his death and is awarded several times.

It also enjoyed strong institutional recognition. He is appointed inspector of works of art at the Manufacture des Gobelins . Elected member of the Academy of Fine Arts in 1864, Charles Müller sat as a member of the admission committees for the 1878 World Fair in Paris. Decorated with the Legion of Honor in 1849, he was elevated to the rank of officer of the same order in 1859. More on Charles Louis Müller

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.