01 Work, CONTEMPORARY Interpretation of the Bible! Sax Berlin’s The Lost Frescoes of St Magdalene, with Footnotes – #47

Sax Berlin
The Lost Frescoes of St Magdalene, c. 2006

Frescoes
48″ x 34″
Private collection

Magdalene is shown from above lying on her bed, her hair wrapped around her body.  Her identity disfigured by iconoclasts.  More on this painting

Mary Magdalene,  literally translated as Mary the Magdalene or Mary of Magdala, is a figure in Christianity who, according to the Bible, traveled with Jesus as one of his followers. She is said to have witnessed Jesus’ crucifixion and resurrection. Within the four Gospels she is named more than most of the apostles. Based on texts of the early Christian era in the third century, it seems that her status as an “apostle” rivals even Peter’s.

The Gospel of Luke says seven demons had gone out of her. She is most prominent in the narrative of the crucifixion of Jesus, at which she was present. She was also present two days later when, she was, either alone or as a member of a group of women, the first to testify to the resurrection of Jesus. John 20 and Mark 16:9 specifically name her as the first person to see Jesus after his resurrection.

During the Middle Ages, Mary Magdalene was regarded in Western Christianity as a repentant prostitute or promiscuous woman, claims not found in any of the four canonical gospels. More Mary Magdalene

Sax Berlin (1953), arguably the finest exponent of 21st Century Classicism has devoted his life to absorbing the culture of art and architecture in Europe, Asia & North America. Thus becoming a genius of our time and the great secret of modern art. 

When one reviews his oeuvre 8 distinct & separate styles emerge, displaying Berlin’s mastery of his subject. Berlin is a unique artist, using techniques mastered during his studies; ranging from antiquity through the medieval and Renaissance to the present; he creates the visual outcomes he wants and that delight collectors.

Harvard University refer to him as a Master Artist and use his Buddhist Icon works as exemplars of the form in their Religious Studies degree courses. The President of the Asia Society on Park Avenue, NYC wrote to Berlin that “your work is beautiful” and Bernard Faure, Professor of Asia Studies at Columbia University wrote “your icons really do have a life of their own”.

Sax Berlin is a modern Master Painter in the truest sense of the term and follows in the footsteps of the Great Masters of the past. More on Sax Berlin

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01 Work, CONTEMPORARY Interpretation of the Bible! Frank Eugene’s Adam and Eve, with Footnotes – #44

Frank Eugene (American, 1865-1936)
Adam and Eve, circa 1900s, printed 1909

Photogravure
7 x 5 inches (17.8 x 12.7 cm)
The Metropolitan Museum of Art

Eugene’s interest in a variety of artistic media is seen in the bold manipulation of his negatives. He used paintbrushes, etching needles, and pencils to rework his compositions, thus proclaiming their status as art. This photogravure—a print created from a photomechanically etched copper plate—depicts a classic subject from the annals of art history, the deep chiaroscuro and scratched surface suggesting Adam and Eve after the fall. More on this work

Frank Eugene (19 September 1865 – 16 December 1936) was an American-born photographer who was a founding member of the Photo-Secession and one of the first university-level professors of photography in the world.

Born in New York to immigrant parents, Eugene was one of many young German-Americans to travel to Munich to study at the Royal Bavarian Academy of Arts. Alfred Stieglitz and the influential art critic Sadakichi Hartmann promoted Eugene’s Pictorialist photographs in exhibitions and publications such as Camera Work. Eugene’s interest in a variety of artistic media is seen in the bold manipulation of his negatives. He used paintbrushes, etching needles, and pencils to rework his compositions, thus proclaiming their status as art. This photogravure—a print created from a photomechanically etched copper plate—depicts a classic subject from the annals of art history, the deep chiaroscuro and scratched surface suggesting Adam and Eve after the fall. More on Frank Eugene

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01 Work, CONTEMPORARY Interpretation of the Bible! Widayat, Haji’s Adam and Eve in Paradise, with Footnotes – #46

Widayat, Haji (1919–2002)
Adam and Eve in Paradise, c. 1970

Oil on canvas
145 x 130 cm (57 1/8 x 51 1/8 in)
Private collection

Struck by a nationalistic fervor that had emerged from post-independence Indonesia, artists strove to articulate a recognizable Indonesian identity in their works. Moved by similar desires, Javanese artist Haji Widayat shifted from the predominantly Dutch Bandung school to the Indonesian-run ASRI academy in Yogyakarta. Under the tutelage of Hendra Gunawan, Widayat’s work transitioned from the sweet, Mooi-Indië (Beautiful Indies) landscapes into the epochal, ‘magical-decorative’ style that marked his mature oeuvre. More on Widayat, Haji 

Widayat, Haji (1919–2002) is a prolific and influential Javanese artist, Haji Widayat is recognized for his “dekora-magis” (magical-decorative) contribution to Indonesian art. Throughout his five-decade artistic career he experimented widely, working in an array of themes, styles, and media. Greatly admired for his extraordinary versatility and imagination, Widayat freely appropriated and adapted imagery from various cultural sources creating his own distinctive modern expression. He is best known for paintings of enchanted, fantastical worlds inspired by nature, myths, and folklore, religious literatures, and primordial states; his work featured Javanese legends, Judeo-Christian narratives of genesis and creation, and Papuan statues. Widayat often portrayed dense forests, deep-sea fish, birds in trees, primitive objects, and events around him rendered through a rhythmic repetition of flat meticulous motifs that densely filled the entire field. Alongside these stylistic investigations, he regularly explored abstraction and other modernist tropes. Although he predominantly produced oil and acrylic on canvas and watercolor on paper, he practiced etching and dry-point printing and painting on ceramics, and at times sculpture. Widayat was also an inspirational art educator: he lectured for over 30 years at the Akademi Seni Rupa Indonesia (ASRI – Indonesian Academy of Fine Arts) in Yogjakarta. By Clark, Christine

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01 Work, Interpretation of the bible, Circle of Hans von Aachen’s The Last Supper, with Footnotes – 188

Circle of Hans von Aachen, (Cologne 1552-1615 Prague)
The Last Supper

Oil on copper
12¼ x 16 3/8 in. (31.1 x 41.6 cm.)
Private collection

It is interesting for me is the artist’s blatant incorporating Mary Magdalene alongside Jesus.

The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper provides the scriptural basis for the Eucharist, also known as “Holy Communion” or “The Lord’s Supper”.

The four canonical Gospels all state that the Last Supper took place towards the end of the week, after Jesus’ triumphal entry into Jerusalem and that Jesus and his Apostles shared a meal shortly before Jesus was crucified at the end of that week. During the meal Jesus predicts his betrayal by one of the Apostles present, and foretells that before the next morning, Peter will deny knowing him.

The three Synoptic Gospels and the First Epistle to the Corinthians include the account of the institution of the Eucharist in which Jesus takes bread, breaks it and gives it to the Apostles, saying: “This is my body which is given for you”. The Gospel of John does not include this episode, but tells of Jesus washing the feet of the Apostles, giving the new commandment “to love one another as I have loved you”, and has a detailed farewell discourse by Jesus, calling the Apostles who follow his teachings “friends and not servants”, as he prepares them for his departure.

Scholars have looked to the Last Supper as the source of early Christian Eucharist traditions. Others see the account of the Last Supper as derived from 1st-century eucharistic practice as described by Paul in the mid-50s. More on The Last Supper

Hans von Aachen (1552 – 4 March 1615) was a German painter who was one of the leading representatives of Northern Mannerism.

Hans von Aachen was a versatile and productive artist who worked in many genres. He was successful as a painter of princely and aristocratic portraits, and further painted religious, mythological and allegorical subjects. Known for his skill in the depiction of nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron, Emperor Rudolf II. These remain the works for which he is best known. He also painted a number of genre paintings of small groups of figures shown from the chest upwards.

The life and work of Hans von Aachen bear unique witness to the cultural transfer between North, South and Central Europe in the late 16th and early 17th centuries. After training in the tradition of Netherlandish Renaissance painting he moved to Italy in 1574, for about 14 years, mainly working in Venice. He returned in 1587 to his native Germany. His final years were spent in Prague. The combination of the Netherlandish realism of his training and the Italian influences gained during his travels gave rise to his unique painting style. More on Hans von Aachen

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01 Work, Interpretation of the bible, FOLLOWER OF BERNARDINO LUINI’s MADONNA AND CHILD, With Footnotes – 190

FOLLOWER OF BERNARDINO LUINI
MADONNA AND CHILD

Oil on panel
35¾ by 26 in.; 90.8 by 66 cm.
Private collection

The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means “My Lady” in Italian. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. Paintings known as icons are also an important tradition of the Orthodox Church and often show the Mary and the Christ Child. They are found particularly in Eastern Europe, Russia, Egypt, the Middle East and India. More Madonna and Child

Bernardino Luini (c. 1480/82 – June 1532) was a North Italian painter from Leonardo’s circle. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described to have taken “as much from Leonardo as his native roots enabled him to comprehend”.[1] Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov. More on Bernardino Luini

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01 Work, Interpretation of the bible, Marie Felix Hippolyte-Lucas’ Salome, with Footnotes – 189

Marie Felix Hippolyte-Lucas, French, 1854-1925
Salome

Oil on canvas
76 3/4 x 38 1/8 inches (195 x 96.8 cm)
Private collection

Salome was the daughter of Herod II and Herodias. She is infamous for demanding and receiving the head of John the Baptist, according to the New Testament. According to Flavius Josephus’s Jewish Antiquities, Salome was first married to Philip the Tetrarch of Ituraea and Trakonitis. After Philip’s death in 34 AD she married Aristobulus of Chalcis and became queen of Chalcis and Armenia Minor. They had three children. Three coins with portraits of Aristobulus and Salome have been found. Her name in Hebrew meaning “peace”. More on Salome

Marie-Felix Hippolyte-Lucas was a French painter , born on November 9 , 1854 in Rochefort-sur-Mer , and died on April 17 , 1925 in Bougival. 

Between 1877 and 1924, his works were regularly exhibited at the Salon des artistes français where he receives numerous awards . He was also awarded at the Universal Exhibitions of 1889 and 1900. He is knight of the Legion of Honor.

Marie Felix Hippolyte-Lucas was a pupil of Isidore Pils, Karl Lehmann and Évariste Luminais.

He executed decorative paintings for the casino in Monte Carlo, the conference centre at the Musée Océanographique in Monaco, and three ceilings in the Préfecture du Rhône. More on Marie-Felix Hippolyte-Lucas

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01 Work, Interpretation of the bible, The Master of the Legend of St. Ursula’s MADONNA AND CHILD, with Footnotes – #85

The Master of the Legend of St. Ursula (1436–1505)
MADONNA AND CHILD, WITH AN EXTENSIVE LANDSCAPE SEEN THROUGH TWO WINDOWS BEYOND

Oil on panel
15 ¼ by 10 in.; 41 by 27 cm
Private collection

The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means “My Lady” in Italian. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. Paintings known as icons are also an important tradition of the Orthodox Church and often show the Mary and the Christ Child. They are found particularly in Eastern Europe, Russia, Egypt, the Middle East and India. More Madonna and Child

The Master of the Legend of St. Ursula (1436–1505) was a Flemish painter active in the fifteenth century. His name is derived from a polyptych depicting scenes from the life of Saint Ursula painted for the convent of the Black Sisters of Bruges. The city appears in the background of a number of the paintings.

The artist’s style combines influences of Rogier van der Weyden and Hans Memling, of whom the latter was his contemporary, while for many years some of his works were attributed to Hugo van der Goes. More on The Master of the Legend of St. Ursula

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01 Work, CONTEMPORARY Interpretation of the Bible! Ilin Stanislav’s Eve, With Footnotes – #53

Ilin Stanislav, Russia
Eve

Oil on Canvas.
39.4 W x 39.4 H x 1.2 in
Private collection

Eve is a figure in the Book of Genesis in the Hebrew Bible. According to the creation myth of the Abrahamic religions, she was the first woman. In Islamic tradition, Eve is known as Adam’s wife and the first woman although she is not specifically named in the Quran.

According to the second chapter of Genesis, Eve was created by God by taking her from the rib of Adam, to be Adam’s companion. She succumbs to the serpent’s temptation to eat the forbidden fruit from the tree of the knowledge of good and evil. She shares the fruit with Adam, and as a result the first humans are expelled from the Garden of Eden. Christian churches differ on how they view both Adam and Eve’s disobedience to God, and to the consequences that those actions had on the rest of humanity. Christian and Jewish teachings sometimes hold Adam and Eve to a different level of responsibility for the fall, although Islamic teaching holds both equally responsible. More on Eve
Ilin Stanislav was born in Kazan, and lives in Moscow. He finished the Moscow Academic institute of Surikova in 1999. The artist and sculptor of monuments, Participated in lists of the Temple of the Christ of the Savior, the Stained-glass window in a hall of session of an academic council in the Moscow State University. His works are in private assemblies of England, France, the USA, Japan. More on Ilin Stanislav

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01 Work, Interpretation of the bible, Michele Tosini’s PIETÀ WITH TWO ANGELS, with Footnotes – 182

Michele Tosini, Florence 1503 – 1577
PIETÀ WITH TWO ANGELS

Oil on panel
35¾ by 25⅜ in.; 90.8 by 64.4 cm.
Private collection

The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian. More the Pietà

Michele Tosini, also called Michele di Ridolfo, (1503–1577) was an Italian painter of the Renaissance and Mannerist period, who worked in Florence.Tosini began painting in the early 16th-century Florentine style of Fra Bartolommeo and Andrea del Sarto. His acceptance of Mannerism was slow, but by the 1540s the influence of Salviati and Bronzino was visible in his work. After 1556, Tosini served as an assistant to Giorgio Vasari in the decoration of the Salone dei Cinquecento in the Palazzo Vecchio in Florence. Through Vasari’s example, Tosini adopted a vocabulary derived from the work of Michelangelo and painted some of his best-known works in this manner. He executed several important commissions late in his career: the fresco decoration of three city gates of Florence (1560s), the altar in the chapel at the Villa Caserotta (1561), near San Casciano Val di Pesa, and the paintings on the sides and back of the tabernacle of the high altar of Santa Maria della Quercia (1570), Viterbo. According to Vasari, Tosini headed a large workshop that executed numerous altarpieces and paintings. He was also a notable portraitist. More on Michele Tosini

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01 Work, Interpretation of the bible, Taddeo di Bartolo’s ENTOMBMENT, with Footnotes – #181

Taddeo di Bartolo, Siena 1362/3 (?) – after 1422
THE ENTOMBMENT

Tempera on panel, gold ground
13 by 13⅜ in.; 33 by 34 cm.
Private collection

The prevailing characteristic of Taddeo di Bartolo’s work being rich colour and spatial inventiveness. His gold backgrounds don’t sharpen but soften the mood and lend a dazzling glow to his paintings. Bartolo’s figures express raw, unfettered passion–passionate emotions that are not manufactured or abstracted. His concern was with dramatic action and human emotion. To make that dramatic action more effective, Bartolo placed his figures in a space more convincingly than earlier painters.  His depiction of Christ is kind and gracious, as if he has pity upon the longing of the soul of the believer. He avoids all contrived effects  and labors in the same style as Segna di Buonaventure, in whose works also the figures have  roundness and shadows. Bartolo’s work is confident, exploratory and intense. He opened up a new world of emotion and passion, but with a lyricism and deep sensitivity to color. His subjects, like his predecessors, are all religious ? the Virgin Mary, the Life of Christ, the Apostles, Angeles and the Life of St. Francis.

His great painting of Saint Christopher is housed in the famous Civic Museum inside the Palazzo Pubblico overlooking the Piazza del Campo. The Palazzo Pubblico was built in the early 1300s by the Government of Nove. It is a masterpiece of  medieval urban architecture. In the Great Council Hall there are extraordinary frescoes by Martini depicting a beautiful Maestà and next door, in the Hall of Nine there is the amazing fresco cycle by Ambrogio Lorenzetti showing the Allegory and Effects of Good and Bad Government. More on Taddeo di Bartolo

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01 Work, Interpretation of the bible, Francesco Furinis Rachel giving birth to Joseph, with Footnotes – #178

Francesco Furini (Florence 1604-1646)
Rachel giving birth to Joseph

Oil on canvas
205.1 x 161.9cm (80 3/4 x 63 3/4in)
Private collection

Rachel is first mentioned in the Hebrew Bible in Genesis 29 when Jacob happens upon her as she is about to water her father’s flock. She was the second daughter of Laban. Jacob had traveled a great distance to find Laban. His mother Rebekah had sent him there to be safe from his furious twin brother, Esau.

During Jacob’s stay, he fell in love with Rachel and agreed to work seven years for Laban in return for her hand in marriage. On the night of the wedding, the bride was veiled and Jacob did not notice that Leah, Rachel’s older sister, had been substituted for Rachel. Whereas “Rachel was lovely in form and beautiful,” “Leah had tender eyes”. Later Jacob confronted Laban, who excused his own deception by insisting that the older sister should marry first. He assured Jacob that after his wedding week was finished, he could take Rachel as a wife as well, and work another seven years as payment for her. When God “saw that Leah was unloved, he opened her womb”, and she gave birth to four sons.

Rachel was unable to conceive, and became jealous of Leah. She gave Jacob her maidservant, Bilhah, to be a surrogate mother for her. Bilhah gave birth to two sons that Rachel named and raised. Leah responds by offering her handmaid Zilpah to Jacob, and names and raises the two sons that Zilpah bears. After Leah conceived again, Rachel was finally blessed with a son, Joseph. More on Rachel

Francesco Furini (c. 1600 (or 1603) – August 19, 1646) was an Italian Baroque painter of Florence, noted for his sensual sfumato style in paintings of both secular and religious subjects.He was born in Florence to an artistic family. Furini’s early training was by Matteo Rosselli. Traveling to Rome in 1619, he also would have been exposed to the influence of Caravaggio.

Furini’s work reflects the tension faced by the conservative, mannerist style of Florence when confronting then novel Baroque styles. He is a painter of biblical and mythological set-pieces with a strong use of the misty sfumato technique. An important early work, Hylas and the Nymphs (1630), features six female nudes that attest to the importance Furini placed upon drawing from life.

Furini became a priest in 1633 for the parish of Sant’Ansano in Mugello. Furini traveled to Rome again in the year before his death in 1646. More on Francesco Furini

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01 Work, Interpretation of the bible, Adriaen van der Werff’s The repudiation of Hagar, With Footnotes – #177

Adriaen van der Werff
The repudiation of Hagar

Oil on canvas
87.6 x 69.1
Private collection

Hagar is a biblical person in the Book of Genesis Chapter 16. She was an Egyptian handmaid of Sarah, who gave her to Abraham “to wife” to bear a child. The product of the union was Abraham’s firstborn, Ishmael, the progenitor of the Ishmaelites.

After Sarah gave birth to Isaac, and the tension between the women returned. At a celebration after Isaac was weaned, Sarah found the teenage Ishmael mocking her son, and demanded that Abraham send Hagar and her son away. She declared that Ishmael would not share in Isaac’s inheritance. Abraham was greatly distressed but God told Abraham to do as his wife commanded because God’s promise would be carried out through both Isaac and Ishmael.

The name Hagar originates from the Book of Genesis, and is only alluded to in the Qur’an. She is considered Abraham’s second wife in the Islamic faith and acknowledged in all Abrahamic faiths. In mainstream Christianity, she is considered a concubine to Abraham. More on Hagar

Adriaen van der Werff (21 January 1659 – 12 November 1722) was an accomplished Dutch painter of portraits and erotic, devotional and mythological scenes. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant.

At the age of ten he started to take lessons, two years later moving in with Eglon van der Neer, specializing in clothes and draperie. At the age of seventeen he founded his own studio in Rotterdam where he later became the head of guild of Saint Luc. In 1696, he was paid a visit by Johann Wilhelm, Elector Palatine and his wife, Anna Maria Luisa de’ Medici. The couple ordered two paintings to be sent to Cosimo III of Tuscany, Anna Maria Luisa’s father, in Florence. During the next years Van der Werff traveled regularly between Düsseldorf and his home town. In 1703, he became the official court painter and a knight, when his former teacher and predecessor Van der Neer died. Van der Werff, with a perfect technique, was paid extremely well by the Elector for his biblical or classical (erotic) paintings. In 1705, he painted a portrait of Gian Gastone de’ Medici, Grand Duke of Tuscany. In 1716, he lost his job when the Elector died because the treasury was empty.

Van der Werff became one of the most lauded Dutch painters of his day, gaining a European reputation and an enormous fortune. Arnold Houbraken, writing in 1718, considered him the greatest of the Dutch painters and this was the prevailing critical opinion throughout the 18th century: however, his reputation suffered in the 19th century, when he was alleged to have betrayed the Dutch naturalistic tradition. In the Victorian Age people could not appreciate his art, so most of his work went into the cellars of the Alte Pinakothek.

Van der Werff also practised as an architect in Rotterdam, where he designed a few houses. More on Adriaen van der Werff

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

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I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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07 Works, Today, March 4th, is Saint Gerasimus’s Day, With Footnotes – #62

St. Gerasimus of Jordan River
I have no further description, at this time

Gerasimus of the Jordan was a Christian saint, monk and abbot of the 5th century AD. He was born into a wealthy family in the the southern part of Asia Minor, but he left his family wealth and worldly affairs to become a monk. He attended the Fourth Ecumenical Council at Chalcedon in 451 AD. His feast day is celebrated on March 4

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09 works, Today, December 13th, is Saint Lucia of Syracuse’s day, her story, illustrated #346

Master of the Legend of Saint Lucy (circa 1435 –1506/1509)
Legend of St Lucy, c. 1480

Oil on oak wood
Height: 79 cm (31.1 in); Width: 183 cm (72 in)
St. James Church, Bruges, Belgium

Lucia of Syracuse (283–304), also called Saint Lucia, or Saint Lucy, was a Christian martyr who died during the Diocletianic Persecution.

Lucy was born of rich and noble parents about the year 283. Her father was of Roman origin, but died when she was five years old,leaving Lucy and her mother without a protective guardian. Her mother’s name Eutychia seems to indicate that she came from a Greek background…

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05 works, Today, November 23rd, is Felicitas of Rome’s day, her story, illustrated #326

Neri di Bicci, (1419–1491)
Enthroned Saint Felicita and her seven children, c. 1464

Santa Felicita Church, Florence

Felicitas of Rome (c. 101–165), also anglicized as Felicity, is a saint numbered among the Christian martyrs.

Saint Felicitas is said to have been a rich and pious Christian widow who had seven sons. She devoted herself to charitable work and converted many to the Christian faith by her example. This aroused the wrath of pagan priests who lodged a complaint against her with Emperor Marcus Aurelius…

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10 works, Today, November 6th, is Christina von Stommeln’s day, her story illustrated #308

Unknown artist
Christina von Stommeln, c. 1909

High altar of the Propsteikirche Mariä Himmelfahrt Jülich
Museum Zitadelle Jülich

Christina von Stommeln was a Beguine who was ascribed mystical experiences, so that she gained the reputation of holiness and was worshiped in the area of ​​the Duchy of Jülich and in the Archdiocese of Cologne…

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05 works, Today, November 5th, is Saint Elizabeth’s day, her story illustrated #307

Unknown artist
Ss. Zacharias and Elizabeth

I have no further description of this artwork at this time

Elizabeth and her husband Zachariah were “righteous before God, walking in all the commandments and ordinances of the Lord blameless”, but childless. While he was in the temple Zacharias was visited by the angel Gabriel…

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Gustav Klimt, Adam and Eve; 01 Work, CONTEMPORARY Interpretation of the Bible! With Footnotes – #4

Gustav Klimt, (1862–1918)
Adam and Eve, c. 1917-1918

Oil on canvas
Height: 173 cm (68.1 in); Width: 60 cm (23.6 in)
Belvedere palace, in Vienna, Austria.

Adam and Eve was Klimt’s first biblical painting. Certainly it was the only one to present humankind in a state of grace, for the scene would seem to be set before the Fall, perhaps at the moment of Eve’s creation. As the sole truly chaste woman, Eve is a heroine very different from Judith. Klimt’s contemporaries remarked that his ideal woman generally departed significantly from the Viennese notion of beauty: she was slender rather than buxom, redhaired or brunette rather than blond. This “Old Testament type” (as Klimt’s typical heroine was euphemistically called) had an aura of exoticism that was both appealing and intentionally frightening. More on this painting
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman and the ancestors of all humans. The story of Adam and Eve is central to the belief that YHWH created human beings to live in a paradise on earth, although they fell away from that state and formed the present world full of suffering and injustice. It provides the basis for the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. It also provides much of the scriptural basis for the doctrines of the fall of man and original Sin, important beliefs in Christianity, although not generally shared by Judaism or Islam. More on Adam and Eve

Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d’art. Klimt’s primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.Early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. As he developed a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his “golden phase,” many of which include gold leaf. More Gustav Klimt

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady,The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artistsand 365 Saints, also visit my Boards on Pinterest
Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright
I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.
I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.
If you enjoyed this post, please share with friends and family.
Thank you for visiting my blog and also for liking its posts and pages.
Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

05 works, Today, October 17th, is Saints Cosmas and Damian’s day, thier story illustrated #288

Dosso Dossi, (1489–1542)
Saints Cosmas and Damian
Oil on canvas
Galleria Borghese

According to Christian traditions, Saints Cosmas and Damian were twin brothers, Arab physicians, and early Christian martyrs born in Cilicia, part of today’s Turkey. They practiced their profession in the seaport of Ayas, Adana, then in the Roman province of Syria. Accepting no payment for their services led to them being named “Unmercenary” it has been said that, by this, they attracted many to the Christian faith…

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Vincenzo Irolli, ANGEL LEADS A YOUNG WOMAN, 01 Work, CONTEMPORARY Interpretation of the Bible! With Footnotes – 49

Vincenzo Irolli, 1860 Naples – 1942/49 ibid
ANGEL LEADS A YOUNG WOMAN

Oil on canvas.
157 x 100 cm.
Private collection

Vincenzo Irolli (30 September 1860 – 27 November 1949) was an Italian painter born in Naples. He enrolled at the Naples Institute of Fine Arts, and graduated three years later. The work he presented regularly at the exhibitions of the Naples Società Promotrice di Belle Arti as from 1879 comprised portraits and genre scenes. 
Irolli became a member of the Circolo Artistico Napoletano in 1890 and worked with Vincenzo Migliaro and other local artists on decorations for the Caffè Gambrinus at the end of the decade. A regular participant in major national events, he also presented work at the Salon in Paris, where he won great success, and at international exhibitions, including London (1904), Munich (1909) and Barcelona (1911), where he was awarded a bronze medal. Alongside intense maternal figures, portraits of children and colorful scenes of everyday life, he also depicted religious subjects, as in the ten works presented at the Mostra di Arte Sacra of 1936 in Naples. More on Vincenzo Irolli

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artistsand 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.
Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

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