30 works – Art and the Egyptian Woman over the decades

Elisabeth Jerichau Baumann
A young Egyptian woman, c. E. Jerichau 1870

Pencil on paper
26 x 29 cm
Private collection

In the winter of 1869–1870, Elisabeth Jerichau Baumann traveled to Constantinople, Athens, Smyrna, Alexandria and Cairo. It was on this trip that she, as one of the first painters ever, got access to a harem in Constantinople.

Anna Maria Elisabeth Lisinska Jerichau-Baumann (21 November 1819–11 July 1881) was a Polish-Danish painter. She was married to the sculptor Jens Adolf Jerichau.

Elisabeth Jerichau-Baumann was born in Żoliborz,a borough of Warsaw. Her father Philip Adolph Baumann (1776–1863), a mapmaker, and her mother, Johanne Frederikke Reyer (1790–1854), were of German extraction.

At the age of nineteen, she began her studies at the Kunstakademie Düsseldorf which at the time was one of the most important art centres in Europe and her early subject matter was drawn from Slovak life. She is associated with the Düsseldorf school of painting. She began exhibiting there and in 1844 attracted public attention for the first time. After she moved to Rome, her paintings were primarily of local life. When Baumann was not travelling, she spent many hours a day in her studio in Rome. She was particularly fond of the Italian painters. Baumann had great success abroad, however, and had a special following in France where she was twice represented at the World Fair in Paris, first in 1867 and again in 1878. In 1852 she exhibited some of her paintings in London, and Queen Victoria requested a private presentation in Buckingham Palace. Among the portraits presented to the Queen was her painting of Hans Christian Andersen, completed in 1850. More on Elisabeth Jerichau Baumann

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01 Orientalist Painting, Edwin Longsden Long’s THE IONIAN POTTERY SELLER, with footnotes, #107

Edwin Longsden Long, British, 1829 – 1891
THE IONIAN POTTERY SELLER, c.1881

Oil on canvas
46 by 35⅛ in.; 116.8 by 89.4 cm
Private collection

Ionia is the name given during ancient times to the central region of Anatolia ’s Aegean shore in Asia Minor, present-day Turkey, one of the most important centres of the Greek world. On the islands and cities of Ionia the style of pottery was not as rigorously geometric as it was in the Dorian ceramic from the continent.  Some Ionian schools of archaic pottery such as Corinth and Rhodes were highly influence by Eastern styles, the so called Orientalizing style. More on Ionian Pottery

Edwin Longsden Long RA (12 July 1829 – 15 May 1891) was an English genre, history, biblical and portrait painter. Long was born in Bath, and was educated at Dr. Viner’s School in Bath. Adopting the profession of a painter, Long came to London and studied in the British Museum. He was subsequently a pupil in the school of James Mathews Leigh in Newman Street London, and practiced first as a portrait artist painting Charles Greville, Lord Ebury and others.

Long made the acquaintance of John Phillip RA, and accompanied him to Spain, where they spent much time. Long was greatly influenced by the paintings of Velasquez and other Spanish masters, and his earlier pictures, such as ‘La Posada’ (1864) and ‘Lazarilla and the blind beggar’ (1870), were painted under Spanish influence. His first important pictures were ‘The Suppliants’ (1872) and ‘The Babylonian marriage market’ (both subsequently purchased by Thomas Holloway). In 1874, he visited Egypt and Syria, and subsequently his work took a new direction. He became thoroughly imbued with middle-eastern archaeology and painted oriental scenes like ‘The Egyptian Feast’ (1877), ‘The Gods and their makers’ (1878) etc.

Long was elected an associate of the Royal Academy in 1870 and an academician (RA) in 1881. His pictures suited the taste and appealed to the religious sentiment of a large portion of the public, and their popularity was increased by a wide circulation of engravings. He consequently determined to exhibit his next pictures in a separate gallery of his own in Bond Street, London and there in 1883, and the following years, his ‘Anno Domini’ and ‘Zeuxis at Crotona’ met with great commercial success.

Long died from pneumonia resulting from influenza, at his home, “Kelston” in Netherhall Gardens, Hampstead, on 15 May 1891, in his sixty-second year. He was buried in West Hampstead Cemetery. More on Edwin Longsden Long

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25 Works, July 12th. is Edwin Long’s day, his story, illustrated with footnotes #189

Edwin Long (1829–1891)
The Gods and Their Makers, c. 1878

Oil on canvas
H 142 x W 224 cm
Towneley Hall Art Gallery & Museum
Private collection

Long’s oil on canvas captures an essence of Ancient Egypt that is representative of the way that Egypt was imagined in late 19th century Europe; an exotic and beautiful image that has found perpetuity, especially in film and popular culture. So much so that ancient Egypt monopolises a considerably large corner of today’s fiction and fantasy market. More on this painting

Edwin Longsden Long RA (12 July 1829–15 May 1891) was a British genre, history, biblical and portrait painter.

Long was born in Bath, Somerset, and was educated at Dr. Viner’s School in Bath. Adopting the profession of a painter, Long came to London and studied in the British Museum. He was subsequently a pupil in the school of James Mathews Leigh in Newman Street London, and practised first as a portrait artist painting Charles Greville, Lord Ebury and others…

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29 Portraits – Art and the Egyptian Woman over the decades

It is said that Scota was in fact Meritaten, the eldest daughter of Pharoah Akhenaten and Queen Nefertiti…

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25 Works, July 12th. is Edwin Long’s day, his story, illustrated with footnotes #189

Edwin Long (1829–1891)
The Gods and Their Makers, c. 1878

Oil on canvas
H 142 x W 224 cm
Towneley Hall Art Gallery & Museum

Long’s oil on canvas captures an essence of Ancient Egypt that is representative of the way that Egypt was imagined in late 19th century Europe; an exotic and beautiful image that has found perpetuity, especially in film and popular culture. So much so that ancient Egypt monopolises a considerably large corner of today’s fiction and fantasy market. More on this painting

Edwin Longsden Long RA (12 July 1829–15 May 1891) was a British genre, history, biblical and portrait painter.

Long was born in Bath, Somerset, and was educated at Dr. Viner’s School in Bath. Adopting the profession of a painter, Long came to London and studied in the British Museum. He was subsequently a pupil in the school of James Mathews Leigh in Newman Street London, and practised first as a portrait artist painting Charles Greville, Lord Ebury and others…

Please follow link for full post

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