22 Works by Orientalist Artists, Eugène Delacroix, Antoine-Jean Gros, Benjamin-Constant, Emile Lecomte-Vernet, Charles Wilda, Leopold Carl Müller, Jean-Léon Gérôme, John Frederick Lewis…, with footnotes

ALFRED DEHODENCQ, 1822 – 1882, FRENCH
THE HAJJ

Oil on canvas
85.5 by 120cm., 33¾ by 47¼in
I have no further description, at this time

Alfred Dehodencq (23 April 1822–2 January 1882) was a mid-19th-century French Orientalist painter born in Paris. He was known for his vivid oil paintings, especially of Andalusian and North African scenes. Dehodencq was born in Paris. During his early years, he studied at the Ecole des Beaux Arts. During the French Revolution of 1848 he was wounded in the arm and was sent to convalesce in the Pyrenees before moving to Madrid. He spent five years in Spain where he became acquainted with the works of Spanish painters Diego Velázquez and Francisco Goya which had a strong influence on his approach to painting.

In 1853 he travelled to Morocco, where for the following ten years he produced many of his most famous paintings depicting scenes of the world he encountered. Dehodencq was the first foreign artist known to have lived in Morocco for an extended number of years.

Dehodencq married Maria Amelia Calderon in 1857 in Cadiz, Spain, and they had three children. Dehodencq returned to Paris in 1863 with his wife, and was decorated with the Legion of Honour in 1870. He committed suicide on 2 January 1882 having been sick for a long time and is buried in the Montmartre Cemetery. More Alfred Dehodencq

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22 Works by Orientalist Artists

ALFRED DEHODENCQ, 1822 – 1882, FRENCH
THE HAJJ

Oil on canvas
85.5 by 120cm., 33¾ by 47¼in
I have no further description, at this time

Alfred Dehodencq (23 April 1822–2 January 1882) was a mid-19th-century French Orientalist painter born in Paris. He was known for his vivid oil paintings, especially of Andalusian and North African scenes. Dehodencq was born in Paris. During his early years, he studied at the Ecole des Beaux Arts. During the French Revolution of 1848 he was wounded in the arm and was sent to convalesce in the Pyrenees before moving to Madrid. He spent five years in Spain where he became acquainted with the works of Spanish painters Diego Velázquez and Francisco Goya which had a strong influence on his approach to painting.

It is first through literature that depictions of the Orient appeared. Indeed, in 1704, Antoine Galland published the first French translation of The Arabian Nights. And in 1721, the Persian Letters by Montesquieu drew the public’s attention to the East. But the depictions of the Orient that we can find in literature are sometimes romanticized and convey a false image to the Westerners. More on Orientalism

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10 works, Today, October 10th, is Saint Daniel and his Companions’ day, their story illustrated #282

Licinio, Bernardino
The Martyrs of Marrakesch, Franciscan friars, c. 1524

Oil on canvas
Santa Maria Gloriosa dei Frari, San Polo, Venice, Italy

Saint Daniel and Companions (died October 10, 1227) are venerated as martyrs by the Catholic Church. They were Friars Minor killed at Ceuta…

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DELACROIX EUGÈNE; Odaliske with feline 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 62

DELACROIX EUGÈNE, (1798 – 1863)
Odaliske with feline

Oil on Canvas
58.8 x 73
Private collection

Ferdinand Victor Eugène Delacroix (26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

As a painter and muralist, Delacroix’s use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.

Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the “forces of the sublime”, of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, “Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible.” MoreFerdinand Victor Eugène Delacroix

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