Coypel, Noël Hercules, Dejanira and the centaur Nessus, c. around 1688 Oil on canvas H. 120.2; L. 196 cm. frame: H. 132; W. 207; Thickness 8 cm. Musée de Versailles, Versailles, France
Deianira, Deïanira was a Calydonian princess in Greek mythology whose name translated as “man-destroyer” or “destroyer of her husband”. She was the wife of Heracles and, in late Classical accounts, his unwitting murderer, killing him with the poisoned Shirt of Nessus. She is the main character in Sophocles’ play Women of Trachis…
Coypel, Noël Hercules, Dejanira and the centaur Nessus, c. around 1688 Oil on canvas H. 120.2; L. 196 cm. frame: H. 132; W. 207; Thickness 8 cm. Musée de Versailles, Versailles, France
Hercules pursuing the centaur Nessus, who wants to kidnap his wife Dejanira. However, the scene only gives Veronese the opportunity to describe the involvement of the figures in the mysterious realm of nature — an old theme of Venetian painting. Veronese’s latest style can also be recognized by the clearly darkened, autumnal colors and the open brushstrokes.
Noël Coypel, (born Dec. 25, 1628, Paris, France — died Dec. 24, 1707, Paris), French Baroque historical painter who was the founding member of a dynasty of painters and designers employed by the French court during the late 17th and 18th centuries.
Made an academician in 1663, Coypel served as director of the French Academy in Rome from 1672 to 1676, and in 1695 he was made director of the Royal Academy in Paris. Although Noël Coypel is primarily known as one of the principal producers of decorative paintings for Louis XIV at the palaces of the Tuileries, the Louvre, and Versailles, he is also renowned for such important ecclesiastical commissions as the well-known painting of The Martyrdom of St. James in Notre Dame, Paris. Stylistically his mature works show the influence of Charles Le Brun; but his earlier paintings were in the manner of Poussin, and for this reason he was sometimes called Coypel le Poussin. More on Noël Coypel
Deianira, Deïanira was a Calydonian princess in Greek mythology whose name translated as “man-destroyer” or “destroyer of her husband”. She was the wife of Heracles and, in late Classical accounts, his unwitting murderer, killing him with the poisoned Shirt of Nessus. She is the main character in Sophocles’ play Women of Trachis…
Théodore Géricault (1791–1824) Riderless Horse Race, c. 1817 Oil on canvas Height: 45 cm (17.7 in); Width: 60 cm (23.6 in) Louvre Museum
The Race of the Riderless Horses is based on a genuine event that Gericault witnessed, in which riderless Barbary horses were encouraged to race each other down the Via del Corso (corso meaning race). Barbary horses were feisty and spirited animals and the riderless beasts galloping down the street would be unbroken and sometimes entirely unused to the presence of people. Carnival in Rome would end with the racing, but after an unwary spectator was trampled and killed in 1874 the practise stopped and the carnival itself went into decline (until recently, Carnival was resurrected in 2008!). However, while the practice was still in its heyday, the horse-loving Gericault saw the spectacle and was awed by the demonstration of power and might as the horses surged past, fighting for supremacy. More on this painting
Jean-Louis André Théodore Géricault (26 September 1791–26 January 1824) was a French painter and lithographer, whose best-known painting is The Raft of the Medusa (See below). Although he died young, he was one of the pioneers of the Romantic movement…
Zaidan Gallery 