23 Works, December 18th. is Frank O. Salisbury’s day, his art, illustrated with footnotes #251

Frank O. Salisbury (British, 1874–1962)
Onward Christian Soldiers, c. 1911

Oil on canvas
63 x 90 cm. (24.8 x 35.4 in.)
Private collection

Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the ‘Christian Soldiers’ from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O’Salisbury’s work. painted in oil and illuminated in gold leaf.

Francis (“Frank”) Owen Salisbury (18 December 1874–31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as “Britain’s Painter Laureate”. His art was steadfastly conservative and he was a vitriolic critic of Modern Art — particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a “plumber, decorator and ironmonger” (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation…

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30 works – Art and the Egyptian Woman over the decades

Elisabeth Jerichau Baumann
A young Egyptian woman, c. E. Jerichau 1870

Pencil on paper
26 x 29 cm
Private collection

In the winter of 1869–1870, Elisabeth Jerichau Baumann traveled to Constantinople, Athens, Smyrna, Alexandria and Cairo. It was on this trip that she, as one of the first painters ever, got access to a harem in Constantinople.

Anna Maria Elisabeth Lisinska Jerichau-Baumann (21 November 1819–11 July 1881) was a Polish-Danish painter. She was married to the sculptor Jens Adolf Jerichau.

Elisabeth Jerichau-Baumann was born in Żoliborz,a borough of Warsaw. Her father Philip Adolph Baumann (1776–1863), a mapmaker, and her mother, Johanne Frederikke Reyer (1790–1854), were of German extraction.

At the age of nineteen, she began her studies at the Kunstakademie Düsseldorf which at the time was one of the most important art centres in Europe and her early subject matter was drawn from Slovak life. She is associated with the Düsseldorf school of painting. She began exhibiting there and in 1844 attracted public attention for the first time. After she moved to Rome, her paintings were primarily of local life. When Baumann was not travelling, she spent many hours a day in her studio in Rome. She was particularly fond of the Italian painters. Baumann had great success abroad, however, and had a special following in France where she was twice represented at the World Fair in Paris, first in 1867 and again in 1878. In 1852 she exhibited some of her paintings in London, and Queen Victoria requested a private presentation in Buckingham Palace. Among the portraits presented to the Queen was her painting of Hans Christian Andersen, completed in 1850. More on Elisabeth Jerichau Baumann

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15 Works, Today, May 10th. is Jean-Léon Gérôme’s day, his story, illustrated with footnotes #128

Jean-Léon Gérôme (1824–1904)
The Death of Caesar, between 1859 and 1867

Oil on canvas
Height: 85.5 cm (33.6 in); Width: 145.5 cm (57.2 in)
Walters Art Museum

Julius Caesar was assassinated in Rome on the Ides of March (March 15), 44 BC. Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, “If photography had existed in Caesar’s day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe.” More on this painting

Jean-Léon Gérôme (11 May 1824–10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was “arguably the world’s most famous living artist by 1880.” The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students…

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29 Portraits – Art and the Egyptian Woman over the decades

It is said that Scota was in fact Meritaten, the eldest daughter of Pharoah Akhenaten and Queen Nefertiti…

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23 Works, December 18th. is Frank O. Salisbury’s day, his art, illustrated with footnotes #251

Frank O. Salisbury (British, 1874–1962)
Onward Christian Soldiers, c. 1911

Oil on canvas
63 x 90 cm. (24.8 x 35.4 in.)
Private collection

Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the ‘Christian Soldiers’ from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O’Salisbury’s work. painted in oil and illuminated in gold leaf.

Francis (“Frank”) Owen Salisbury (18 December 1874–31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as “Britain’s Painter Laureate”. His art was steadfastly conservative and he was a vitriolic critic of Modern Art — particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a “plumber, decorator and ironmonger” (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation…

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14 Works, November 26th. is Antonio Carneo’s day, his art, illustrated with footnotes #241

Carneo Antonio
Proof of poison, c. 1670-1680

Oil on canvas
175 x 178 cm
Ado Furlan Foundation

Depicting a young man who compresses his bowels in the presence of a group of bystanders who follow his spasms with apprehension or try to help him, it is described ab antiquo with the title with which it is still remembered today. However, since it is difficult to represent a generic poisoning scene (provoked or self-induced), one wonders whether the artist did not want to illustrate a specific character in the episode in question. Among the proposals advanced by scholars, that of the young Mithridates who undergoes the poison test in order to immunize himself remains one of the most plausible. More on this painting

Antonio Carneo (1637–1692) was an Italian painter, active in Friuli and Venice, and depicting both mythologic, allegoric, and religious canvases, as well as portraits…

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20 Works, November 17th. is Pierre Mignard’s day, his art, illustrated with footnotes #236

Pierre Mignard I (1612–1695)
Winter: Cybele Begs for the Sun’s Return (detail)

Textile, Tapestry
6.16 × 0 × 4.79 m
Mobilier National, Paris

The sea occupies the background of a winter landscape. Time or Saturn, accompanied by the Winged Genii, throws rain and ice from the top of the clouds.

Pierre Mignard or Pierre Mignard I (17 November 1612–30 May 1695), called “Mignard le Romain” to distinguish him from his brother Nicolas Mignard, was a French painter known for his religious and mythological scenes and portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter, life-long rivalry.

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26 Works, November 13th. is Byam Shaw’s day, his art, illustrated with footnotes #234

Byam Shaw (1872–1919)
Love the Conqueror

Oil on canvas
I have no further description, at this time

107 famous historical and literary figures are indicated and are represented in the painting, all belonging to the army of the Conqueror Love.

John Byam Liston Shaw (13 November 1872–26 January 1919), commonly known as Byam Shaw, was a British painter, illustrator, designer and teacher…

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15 Works, July 18th. is Franciszek Żmurko’s day, his story, illustrated with footnotes #195

Franciszek Żmurko
WOMAN WITH A RED EARRING, c. 1905

Oil, canvas
78 cm x 114 cm
Private collection

A woman with a red earring is one of Żmurka’s characteristic paintings, depicting “sensual” beauties, low-cut and showing off their charms

Franciszek Żmurko (18 July 1859, Lviv — 9 October 1910, Warsaw) was a Polish realist painter. Żmurko began drawing lessons as a young boy in his hometown with the painter Franciszek Tepa. As an adolescent he relocated to Kraków to study at the Academy of Fine Arts where he took lessons from Professor Jan Matejko…

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18 Works, Today, June 5th. is Vincenzo Marinelli’s day, his story, illustrated with footnotes #154

Vincenzo Marinelli, San Martino d’Agri, 1820- Naples, 1892
An Arab wedding procession

Oil on canvas
82X103
Private collection

In this work there is an atmosphere of fascinating exoticism, given by the depiction of distant lands lived with full romantic sensitivity by the artist. Marinelli later travelled first to Greece, where he worked for King Otto of Bavaria. He then went to Egypt, where he carried out works for the Viceroy Said Pasha. He also accompanying him on a journey he made in Sudan.

Vincenzo Marinelli (5 June 1820–18 January 1892) was an Italian painter, known best for his Orientalist canvases based on his travels in Greece, Crete, Egypt, and Sudan.

Marinelli was born in San Martino d’Agri near Potenza. His father was a surgeon and a dedicated Jacobin. At the age of 17, he moved to Naples to complete his literary and scientific studies. By the age of 22, he dedicated himself to painting, and studied under Costanzo Angelini at the Royal Institute of Fine Arts of Naples. Obtaining a scholarship from the Province of Basilicata, from 1842 to 1848, he studied in Rome at the Academy under Tommaso Minardi…

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24 Works, Today, May 28th. is Hans Makart’s day, his story, illustrated with footnotes #146

Hans Makart
A feast in the park
Oil on canvas
28 x 41 cm
Private collection

Hans Makart (28 May 1840–3 October 1884) was a 19th-century Austrian academic history painter, designer, and decorator. He is best known for his influence on Gustav Klimt and other Austrian artists, but in his own era he was considered an important artist himself and a celebrity figure in the high culture of Vienna and attended with almost cult-like adulation…

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15 Works, Today, May 10th. is Jean-Léon Gérôme’s day, his story, illustrated with footnotes #128

Jean-Léon Gérôme (1824–1904)
The Death of Caesar, between 1859 and 1867

Oil on canvas
Height: 85.5 cm (33.6 in); Width: 145.5 cm (57.2 in)
Walters Art Museum

Julius Caesar was assassinated in Rome on the Ides of March (March 15), 44 BC. Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, “If photography had existed in Caesar’s day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe.” More on this painting

Jean-Léon Gérôme (11 May 1824–10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was “arguably the world’s most famous living artist by 1880.” The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students.

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13 works, Today, October 19th, is Varus and Cleopatra’s day, their story illustrated #290

Unknown artist
The Holy Martyr The torment of St. Varus and others like him, c. 11C

Byzantium
Miniature Minology for October.
State Historical Museum. Moscow.
I have no further description, at this time

During the reign of the impious Maximian, the Emperor of the Romans, there lived in Egypt a soldier named Varus, who secretly served the King of Heaven. Out of fear he hid his faith in God for a time, but later, he revealed it before both heaven and earth and became a spectacle before angels and men…

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9 Works, PORTRAIT OF A LADY, Cleopatra, over the ages, by the artists of their time, with footnotes, #37

 Statue of queen Cleopatra VII

Ptolemaic Dynasty

Basalt

h. 104,7 cm

Hermitage, Saint Petersburg


Cleopatra VII ruled ancient Egypt as co-regent for almost three decades. She became the last in a dynasty of Macedonian rulers founded by Ptolemy, who served as general under Alexander the Great during his conquest of Egypt in 332 B.C. Well-educated and clever, Cleopatra could speak various languages and served as the dominant ruler in all three of her co-regencies. Her romantic liaisons and military alliances with the Roman leaders Julius Caesar and Mark Antony, as well as her supposed exotic beauty and powers of seduction, earned her an enduring place in history and popular myth.

Rembrandt Harmensz. van Rijn. 1606-1669

Woman with the Arrow (“Cleopatra”?), c. 1661

Etching, engraving and dry point

205×123 mm

Hermitage, Saint Petersburg

In 51 B.C., upon the apparently natural death of her father Ptolemy XII, the Egyptian throne passed to 18-year-old Cleopatra and her 10-year-old brother, Ptolemy XIII. Soon after the siblings’ ascension to the throne, Ptolemy’s advisers acted against Cleopatra, who was forced to flee Egypt for Syria in 49 B.C. 


She raised an army of mercenaries and returned the following year to face her brother’s forces at Pelusium, on Egypt’s eastern border. Meanwhile, after allowing the Roman general Pompey to be murdered, Ptolemy XIII welcomed the arrival of Pompey’s rival, Julius Caesar, to Alexandria. In order to help her cause, Cleopatra sought Caesar’s support, reportedly smuggling herself into the royal palace to plead her case with him.


CAESAR AND CLEOPATRA

For his part, Caesar needed to fund his own return to power in Rome, and needed Egypt to repay the debts incurred by Auletes. After four months of war between Caesar’s outnumbered forces and those of Ptolemy XIII, Roman reinforcements arrived; Ptolemy was forced to flee Alexandria, and was believed to have drowned in the Nile River. Entering Alexandria as an unpopular conqueror, Caesar restored the throne to the equally unpopular Cleopatra and her younger brother Ptolemy XIV (then 13 years old). Caesar remained in Egypt with Cleopatra for a time, and around 47 B.C. she gave birth to a son, Ptolemy Caesar. He was believed to be Caesar’s child, and was known by the Egyptian people as Caesarion, or Little Caesar.

Reliefs of Cleopatra VII

Caesarion at the Dendera Temple


Sometime in 46-45 B.C., Cleopatra traveled with Ptolemy XIV and Caesarion to Rome to visit Caesar, who had returned earlier. 

After Caesar was murdered in March 44 B.C., Cleopatra went back to Egypt; Ptolemy XIV died soon after, and the three-year-old Caesarion was named co-regent with his mother, as Ptolemy XV. By this point, Cleopatra had strongly identified herself with the goddess Isis, the sister-wife of Osiris and mother of Horus. 


With her infant son as co-regent, Cleopatra’s hold on power in Egypt was more secure than it had ever been. Still, unreliable flooding of the Nile resulted in failing crops, leading to inflation and hunger. Meanwhile, a conflict was raging in Rome between a second triumvirate of Caesar’s allies (Mark Antony, Octavian and Lepidus) and his assassins, Brutus and Cassius. Both sides asked for Egyptian support, and after some stalling Cleopatra sent four Roman legions stationed in Egypt by Caesar to support the triumvirate. In 42 B.C., after defeating the forces of Brutus and Cassius in the battles of Philippi, Mark Antony and Octavian divided power in Rome.

Charles-Joseph Natoire, (1700-1777)

The Arrival of Cleopatra in Tarsus, c. 1756

Oil on canvas

 Museum of Fine Arts in Nîmes

Charles-Joseph Natoire, (French, 1700 – 1777)French Rococo painter. He was born on 3 March 1700. Son of an architect from Nîmes, he trained under Louis Galloche and François Lemoyne.

He was one of the youngest recipients of the Prix de Rome, winning the prize in 1721 for his Manoah Making a Sacrifice to God to have a Son.

At his return, he became one of the most prominent painters of the country, challenging his friend Boucher, who had a very similar style. Natoire however specialised in creating decorative ensembles for prestigious patrons, including the famous Story of Psyche for the Hôtel of the Duke of Rohan in Paris.

He was appointed academician on 31 December 1734. Then he had an important career, being promoted Adjunct Professor on 2 July 1735, Professor on 2 July 1737, and finally Director of the French Academy in Rome from 1751 to 1775. He subsequently gave up painting after his final departure to Rome and instead drew many landscapes of the Roman countryside. He died in Rome on 23 August 1777. More


Mark Antony soon summoned Cleopatra to the Sicilian city of Tarsus (south of modern Turkey) to explain the role she had played in the complicated aftermath of Caesar’s assassination. According to the story recorded by Plutarch, Cleopatra sailed to Tarsus in an elaborate ship, dressed in the robes of Isis. Antony, who associated himself with the Greek deity Dionysus, was seduced by her charms. He agreed to protect Egypt and Cleopatra’s crown, pledging support for the removal of her younger sister and rival Arsinoe, then in exile. Cleopatra returned to Egypt, followed shortly thereafter by Antony, who left behind his third wife, Fulvia, and their children in Rome. He spent the winter of 41-40 B.C. in Alexandria, during which he and Cleopatra famously formed a drinking society called “The Inimitable Livers.” In 40 B.C., after Antony’s return to Rome, Cleopatra gave birth to twins, Alexander Helios (sun) and Cleopatra Selene (moon).

John William Waterhouse, (1849–1917)

Cleopatra, c. 1888

Oil on canvas

Private collection

John William Waterhouse (April 6, 1849 – February 10, 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet “the modern Pre-Raphaelite”. Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.

Born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before. More


After Fulvia took ill and died, Antony was forced to prove his loyalty to Octavian by making a diplomatic marriage with Octavian’s half-sister Octavia. Egypt grew more prosperous under Cleopatra’s rule, and in 37 B.C. Antony again met with Cleopatra to obtain funds for his long-delayed military campaign against the kingdom of Parthia. In exchange, he agreed to return much of Egypt’s eastern empire, including Cyprus, Crete, Cyrenaica (Libya), Jericho and large portions of Syria and Lebanon. They again became lovers, and Cleopatra gave birth to another son, Ptolemy Philadelphos, in 36 B.C.


After a humiliating defeat in Parthia, Antony publicly rejected his wife Octavia’s efforts to rejoin him and instead returned to Egypt and Cleopatra. In a public celebration in 34 B.C. known as the “Donations of Alexandria,” Antony declared Caesarion as Caesar’s son and rightful heir (as opposed to his adopted son, Octavian) and awarded land to each of his children with Cleopatra. This began a war of propaganda between him and the furious Octavian, who claimed that Antony was entirely under Cleopatra’s control and would abandon Rome and found a new capital in Egypt. In late 32 B.C., the Roman Senate stripped Antony of all his titles, and Octavian declared war on Cleopatra.


On September 2, 31 B.C., Octavian’s forces soundly defeated those of Antony and Cleopatra in the Battle of Actium. Cleopatra’s ships deserted the battle and fled to Egypt, and Antony soon managed to break away and follow her with a few ships. With Alexandria under attack from Octavian’s forces, Antony heard a rumor that Cleopatra had committed suicide. He fell on his sword, and died just as news arrived that the rumor had been false.

Peter Paul Rubens, (1577–1640)

Cleopatra/ Hygeia, Goddess of Health, circa 1615

Oil on oak

Height: 130 cm (51.2 in). Width: 74 cm (29.1 in).

National Gallery in Prague

Peter Paul Rubens, (1577–1640)

Hygeia, Goddess of Health, circa 1615

Oil on oak

106.2 × 74.3 cm (41.8 × 29.3 in)

Detroit Institute of Arts

Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.

In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. More

Hans Makart, (1840–1884)

The Death of Cleopatra, c. 1875

Medium oil on panel

D122.5 × 83 cm (48.2 × 32.7 in)

Private collection

Hans Makart, (1840–1884)

The Death of Cleopatra, c. 1875-1876

Oil on canvas

New Gallery (Kassel)

Hans Makart (Austrian, 1840 – 1884), was a Austrian academic history painter, designer, and decorator. Studied under Josef Schiffmann and Karl Theodor von Piloty.

Son of a chamberlain at Mirabell castle. After a short study at the Academy in Vienna he was educated by Karl Theodor von Piloty in Munich (1860-1865) and travelled to London, Paris and Rome to study. He returned to Vienna after the prince Von Hohenlohe provided him with an old foundry to use as a studio. It gradually turned it into an impressive place full of sculptures, flowers, musical instruments, requisites and jewellery that he used to create classical settings for his portraits, mainly of women. Eventually his studio looked like a salon and became a social meeting point in Vienna. Makart became famous for his richly coloured history paintings and enjoyed his finest hour in 1879 with his painting of the procession in honour of the silver anniversary of the marriage of emperor Francis Joseph and his wife Elisabeth. In the same year he became a Professor at the Academy. Makart also designed furniture and interiors. More Hans Makart 

On August 12, 30 B.C., after burying Antony and meeting with the victorious Octavian, Cleopatra closed herself in her chamber with two of her female servants. The means of her death is uncertain, but Plutarch and other writers advanced the theory that she used a poisonous snake known as the asp, a symbol of divine royalty. According to her wishes, Cleopatra’s body was buried with Antony’s, leaving Octavian (later Emperor Augustus I) to celebrate his conquest of Egypt and his consolidation of power in Rome.





Acknowledgement: HistoryWikipedia,


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07 Paintings, PORTRAIT OF A LADY, The beautiful and damned women of history

Théodore Chassériau, 1819-1856

MARY STUART SWEARING REVENGE

Oil on canvas

25 1/2 by 21 1/4 in

Private Collection

While Chassériau’s precise inspiration for Mary Stuart Swearing Revenge is unknown, it is possible that the work was based on Friedrich Schiller’s play of 1800 or Donizetti’s opera, Maria Stuarda, written in 1845. 

It has been suggested that the face of Mary Stuart in this picture is recognizable as famed actress Alice Ozy (1820-1883), who became Chassériau’s mistress around 1849 and who may have played Mary Stuart in Paris in 1845. The scene pictured is that of the death of David Riccio, who entered Queen Mary’s service in 1561 and became a close confidant after helping to arrange her marriage to Henry Stewart, Lord Darnley. Darnley was suspicious of Riccio’s close relationship with Mary, and eventually had him dragged from her supper room at Holyroodhouse and stabbed to death in front of her. Chassériau has chosen to capture Mary’s grief and suffering at seeing Riccio’s lifeless body before her.  As Louis-Antoine Prat suggests, she continues a theme of beautiful and damned women who inspired the artist, including Sappho (Below), Cleopatra, Cordelia, Juliette and Desdemona More of this picture

Théodore Chassériau, 1819-1856, see below

Théodore Chassériau, 1819-1856

Sapho, c. 1849

oil on wood

H. 0.27; L. 0.21

Musée d’Orsay, Paris, France

Sappho (c. 630 – c. 570 BC) was an archaic Greek poet from the island of Lesbos. Sappho’s poetry was lyric poetry, and she is best known for her poems about love. 

Little is known of Sappho’s life. She was from a wealthy family from Lesbos. Ancient sources say that she had three brothers; the names of two of them are mentioned in the Brothers Poem discovered in 2014. She was exiled to Sicily around 600 BC, and may have continued to work until around 570.

Sappho’s poetry was well-known and greatly admired through much of antiquity, and she was among the nine lyric poets deemed major by scholars of Hellenistic Alexandria. Today, Sappho’s poetry is still considered extraordinary, and her works have continued to influence other writers up until the modern day. Outside of academic circles, she is perhaps best known as a symbol of same-sex desire, particularly between women.

Théodore Chassériau, 1819-1856, see below

Théodore Chassériau, 1819-1856

Sappho Leaping into the Sea from the Leucadian Promontory, c. 18540

Watercolor

Musée du Louvre (France – Paris)

Théodore Chassériau, 1819-1856, see below

Circle of the MASTER OF THE MANSI MAGDALENA, (active circa 1510 – 1530 in Antwerp)

The death of Cleopatra as allegory of temptation.

Oil on panel.

47.5 x 35.5 cm.

Private Collection

According to accepted historical accounts, Cleopatra, the last active pharaoh of ancient Egypt, committed suicide by holding a snake to her body and allowing a snake, known as an asp, to bite her, killing her with its poisonous venom.  More The death of Cleopatra

Master of the Mansi Magdalen, active early 16th century. The Master is named from a picture known as ‘The Mansi Magdalen’ (Berlin, Staatliche Museum), perhaps of about 1525 or later. The Master borrowed from some of the engravings by Dürer, one as late as 1511. He was a follower of Quinten Massys. More Master of the Mansi Magdalen

Théodore Chassériau, 1819-1856

Othello and Desdemona in Venice, c. 1850

Oil on wood

25 × 20cm

Musée du Louvre (France – Paris)

Théodore Chassériau, 1819-1856, see below

Théodore Chassériau, 1819-1856

Desdemona Retiring to her Bed, c. 1849

Oil on canvas 

42 cm (16.54 in.), Width: 32 cm (12.6 in.)

Musée du Louvre (France – Paris)

Théodore Chassériau, 1819-1856, see below

Théodore Chassériau, 1819-1856

Desdemona, c. 1849

Oil on panel 

35 cm (13.78 in.), Width: 27 cm (10.63 in.)

Private collection

Théodore Chassériau (September 20, 1819 – October 8, 1856) was a French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria.

Chassériau was born in El Limón, Samaná, in the Spanish colony of Santo Domingo (now the Dominican Republic). In December 1820 the family left Santo Domingo for Paris, where the young Chassériau soon showed precocious drawing skills. He was accepted into the studio of Jean-Auguste-Dominique Ingres in 1830, at the age of eleven, and became the favorite pupil of the great classicist, who regarded him as his truest disciple.

After Ingres left Paris in 1834 to become director of the French Academy in Rome, Chassériau fell under the influence of Eugène Delacroix, whose brand of painterly colorism was anathema to Ingres. Chassériau’s art has often been characterized as an attempt to reconcile the classicism of Ingres with the romanticism of Delacroix. He first exhibited at the Paris Salon in 1836, and was awarded a third-place medal in the category of history painting. In 1840 Chassériau travelled to Rome and met with Ingres, whose bitterness at the direction his student’s work was taking led to a decisive break.

In 1846 Chassériau made his first trip to Algeria. From sketches made on this and subsequent trips he painted such subjects as Arab Chiefs Visiting Their Vassals and Jewish Women on a Balcony…

After a period of ill health, exacerbated by his exhausting work on commissions for murals to decorate the Churches of Saint-Roch and Saint-Philippe-du-Roule, Chassériau died at the age of 37 in Paris, on October 8, 1856. More on Théodore Chassériau

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