01 Painting, Olympian deities, FLEMISH SCHOOL’s Cephalus and Procris, with footnotes # 46

FLEMISH SCHOOL, 17TH CENTURY
Cephalus and Procris

Oil on canvas
90.5 x 119.3cm (35 5/8 x 46 15/16in)
Private collection

Cephalus was married to Procris, a daughter of Erechtheus, an ancient founding-figure of Athens. One day the goddess of dawn, Eos, kidnapped Cephalus when he was hunting. The resistant Cephalus and Eos became lovers, and she bore him a son. However, Cephalus always pined for Procris, causing a disgruntled Eos to return him to her, making disparaging remarks about his wife’s fidelity. 

Once reunited with Procris after an interval of eight years, Cephalus tested her by returning from the hunt in disguise, and managing to seduce her. In shame Procris fled to the forest, to hunt. In returning and reconciling, Procris brought two magical gifts, an inerrant javelin that never missed its mark, and a hunting hound, Laelaps that always caught its prey. The hound met its end chasing a fox (the Teumessian vixen) which could not be caught; both fox and the hound were turned into stone. But the javelin continued to be used by Cephalus, who was an avid hunter.

Procris then conceived doubts about her husband, who left his bride at the bridal chamber and climbed to a mountaintop and sang a hymn invoking Nephele, “cloud”. Procris became convinced that he was serenading a lover. She climbed to where he was to spy on him. Cephalus, hearing a stirring in the brush and thinking the noise came from an animal, threw the never-erring javelin in the direction of the sound – and Procris was impaled. As she lay dying in his arms, she told him “On our wedding vows, please never marry Eos”. Cephalus was distraught at the death of his beloved Procris, and went into exile. More on Cephalus and Procris

Flemish painting flourished from the early 15th century until the 17th century. Flanders delivered the leading painters in Northern Europe and attracted many promising young painters from neighbouring countries. These painters were invited to work at foreign courts and had a Europe-wide influence. Since the end of the Napoleonic era, Flemish painters had again been contributing to a reputation that had been set by the Old Masters. More Flemish School

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08 Carvings, Olympian deities, Classical Sculpture of Greek and Roman religion, Sculpture, with footnotes, #2

Cephalus and Procris
Procris injured in the Hunt

Carved ebony Medallion in an octagonal frame of silvered bronze
Louis XIV period, second half of the seventeenth century
Height (overall) in 11; width (overall) 8 1/4 in

Cephalus is a name, used both for the hero-figure in Greek mythology, and carried as a theophoric name by historical persons. The word kephalos is Greek for “head”, perhaps used here because Cephalus was the founding “head” of a great family that includes Odysseus. It could be that Cephalus means the head of the Sun who kills (evaporates) Procris (dew) with his unerring ray or ‘javelin’. Cephalus was one of the lovers of the dawn goddess Eos…

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