Naval boarding is to come up against, or alongside, an enemy ship to attack by placing combatants aboard the enemy ship. The goal of boarding is to capture, or destroy, the enemy vessel. Larger ships carried specially trained and equipped sailors, or marines, as boarders. More on Boarding
Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, editorial cartoonist, scale modeller, and an accomplished amateur boxer.
In 1895, Lindsay moved to Melbourne to work on a local magazine with his older brother Lionel. In 1901, he and Lionel, his older brother, joined the staff of the Sydney Bulletin, a weekly newspaper, magazine and review. His association there would last fifty years.
Lindsay travelled to Europe in 1909. In Naples he began 100 pen-and-ink illustrations for Petronius’ Satyricon. Visits to the then South Kensington Museum where he made sketches of model ships in the Museum’s collection stimulated a lifelong interest in ship models. The Lindsays returned to Australia in 1911.
Lindsay wrote the children’s classic The Magic Pudding which was published in 1918. Many of his novels have a frankness and vitality that matches his art. In 1938, Lindsay published Age of Consent.
Cartoons, by Lindsay, were used both for recruitment and to promote conscription during World War I.
Lindsay also worked as an editorial cartoonist, notable for often illustrating the racist and right-wing political leanings that dominated The Bulletin at that time.
Lindsay influenced numerous artists, notably the illustrators Roy Krenkel and Frank Frazetta; he was also good friends with Ernest Moffitt. More on Norman Alfred William Lindsay
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