Kasia Derwinska, Stories of dreams and shipwrecked 01 Work of Art, Marine Paintings – With Footnotes, #149

Kasia Derwinska (1)
Kasia Derwinska, Spain
Stories of dreams and shipwrecked
Color, Digital, Manipulated, Paint, Photo on Paper.
15.7 W x 15.7 H x 0 in
Private collection

Kasia Derwinska “Photography is my way of communicating with the world. In my work, I talk about own experiences, thoughts, doubts, fears and hopes trying to reflect my own life’s path. In addition to my experiences, my creations are inspired by night dreams as since childhood I remember most of them and I believe that dreams are the most simbolic language of our subconscious, a guide to navigate in the modern world. I am autodidactic and I don´t recognize myself as a photographer. I use photography as a tool, like a brush for painting or an instrument to play music. My work is an attempt to connect substantiality of the world that surrounds us with elusiveness of feelings and thoughts. For that reason I describe my creations as building a bridge between the visible and the invisible. My works are divided in four basic series: fairytales and fantasies, conceptual black and white, night dreams, and the color serie called “who sings, frightens away his fears”  More on Kasia Derwinska

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Elle Hanley, Breaking Eden 01 Work, CONTEMPORARY Interpretation of the Bible! With Footnotes – 37

breaking eden
Elle Hanley, United States
Breaking Eden
Photography
24 W x 16 H x 0.1 in
Private collection

Eve is a figure in the Book of Genesis in the Hebrew Bible. According to the creation myth of the Abrahamic religions, she was the first woman. In Islamic tradition, Eve is known as Adam’s wife and the first woman although she is not specifically named in the Quran.

According to the second chapter of Genesis, Eve was created by God by taking her from the rib of Adam, to be Adam’s companion. She succumbs to the serpent’s temptation to eat the forbidden fruit from the tree of the knowledge of good and evil. She shares the fruit with Adam, and as a result the first humans are expelled from the Garden of Eden. Christian churches differ on how they view both Adam and Eve’s disobedience to God, and to the consequences that those actions had on the rest of humanity. Christian and Jewish teachings sometimes hold Adam and Eve to a different level of responsibility for the fall, although Islamic teaching holds both equally responsible. More on Eve

Elle Hanley is a self taught American Fine Art photographer currently living and working in Seattle. Her work is alluring and unexpected, focusing mainly on capturing beauty and emotion in a still shot of time. She began photography seven years ago as an artistic outlet and it grew into a full fledged devotion. Elle enjoys the challenges in creating something classic and timeless from a thoroughly modern process and the contradiction between the two is a strong theme throughout her work. Currently she is mixing the realms of art and fashion, working to expand her current open series, as well as creating self portraits. always working on several projects and bringing new and intriguing characters to life to photograph. More on Elle Hanley

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Francesco Zaganelli, St. Lucy 01 Work, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 174

St. Lucy, by Francesco Zaganelli
Francesco Zaganelli, (c. 1475–1532)
St. Lucy
Tempera and gold on wood
12 3/8 x 7 3/4 in. (31.4 x 19.7 cm)
Metropolitan Museum of Art

Saint Lucy, Italian Santa Lucia (died 304, Syracuse, Sicily), virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight.

Lucy came from a wealthy Sicilian family. Spurning marriage and worldly goods, however, she vowed to remain a virgin in the tradition of St. Agatha. An angry suitor reported her to the local Roman authorities, who sentenced her to be removed to a brothel and forced into prostitution. This order was thwarted, according to legend, by divine intervention; Lucy became immovable and could not be carried away. She was next condemned to death by fire, but she proved impervious to the flames. Finally, her neck was pierced by a sword and she died.

Lucy was a victim of the wave of persecution of Christians that occurred late in the reign of the Roman emperor Diocletian. References to her are found in early Roman sacramentaries and, at Syracuse, in an inscription dating from 400 ce. As evidence of her early fame, two churches are known to have been dedicated to her in Britain before the 8th century, at a time when the land was largely pagan. More Saint Lucy

The emblem of eyes on a cup or plate apparently reflects popular devotion to her as protector of sight. Lucia (from the Latin word “lux” which means “light”). In paintings St. Lucy is frequently shown holding her eyes on a golden plate. She also holds the palm branch, symbol of victory over evil. More The emblem of eyes

Francesco da Cotignola (c. 1475-1532), also called Zaganelli, was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna. He was a pupil of the painter Niccolo Rondinelli. He painted for Basilica of Sant’Apollinare in Classe near Ravenna, Faenza, and Parma. His brother, Bernardino, was also a painter, but nowhere as successful as what Francesco was able to do. He was likely also family of Girolamo Marchesi da Cotignola.

In his native Cotignola he shared his workshop with his brother Bernardino Zaganelli (1499-1519). Their first known joint work is the Madonna and Child Enthroned with Saints John the Baptist and Floriano and Three Angels (1499). Their last is the Holy Family (1509). After the abandonment of his brother, who left the workshop in 1509, Francesco, who until then had worked mainly in tempera, took up new directions by taking an interest in woodcut.

He died in Ravenna in 1532 , leaving the construction of a pictorial cycle unfinished in the Basilica of Sant’Apollinare in Classe . He was buried in the basilica, as he had requested. More on Francesco da Cotignola

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.
Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

Dame Laura Knight, Mousehole Harbour 01 Work of Art, Marine Paintings – With Footnotes, #148

Dame Laura Knight
Dame Laura Knight, RA, RWS (British, 1877-1970)
Mousehole Harbour
Watercolour, gouache and black chalk
51 x 31.5cm (20 1/16 x 12 3/8in)
Private collection

Mousehole is a village and fishing port in Cornwall, United Kingdom. It is approximately 2.5 miles (4 km) south of Penzance on the shore of Mount’s Bay. An islet called St Clement’s Isle lies about 350 metres offshore from the harbour entrance.

Mousehole lies within the Cornwall Area of Outstanding Natural Beauty. Almost a third of Cornwall has that designation, with the same status and protection as a National Park. More on Mousehole

Dame Laura Knight, (née Johnson), DBE RA RWS (4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition and who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain.

In 1929, she was created a Dame, and in 1936 became the first woman elected to full membership of the Royal Academy since its foundation in 1768. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Gypsies and circus performers. More on Dame Laura Knight

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Lucien Lévy-Dhurmer, LADY OF MARRAKECH 01 Painting, PORTRAIT OF A LADY, with Footnotes. #64

Lucien Lévy-Dhurmer
Lucien Lévy-Dhurmer, 1865 – 1953, FRENCH
LADY OF MARRAKECH
Pastel on paper
50 by 62cm., 19½ by 24½in
Private collection

Lucien Lévy-Dhurmer (September 30, 1865 – September 24, 1953) was a French Symbolist/Art Nouveau artist whose works include paintings, drawings, ceramics, furniture and interior design.

He was born Lucien Lévy in French Algeria. In 1879 he began studying drawing and sculpture in Paris. He first exhibited at the Paris Salon of 1882. In 1887 Lévy began making his living near Cannes in southern France, overseeing the decoration of ceramics. From 1886 to 1895 he worked as a ceramic decorator and then as artistic director of the studio of Clément Massier. Around 1892 he signed his first pieces of ceramics, which were influenced by Islamic Art. In 1895 he left for Paris to begin a career in painting; around this time he visited Italy and was further influenced by art of the Renaissance.

In 1896 he exhibited his first pastels and paintings. He earned high praise for the academic attention to detail with which he captured figures lost in a Pre-Raphaelite haze of melancholy, contrasted with bright Impressionist colouration.

After 1901 Lévy-Dhurmer moved away from expressly Symbolist content, incorporating more landscapes into his work because of his travels in Europe and North Africa. He continued to draw inspiration from music and attempted to capture works of great composers such as Beethoven in painted form.
He died in Le Vésinet in 1953. More on Lucien Lévy-Dhurmer

 

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

JOE NORRIS, FOUR SCHOONERS AT ANCHOR 01 Marine Painting – With Footnotes, #209

FOUR SCHOONERS AT ANCHOR
JOE NORRIS,
FOUR SCHOONERS AT ANCHOR
Oil on canvas,
24 ins x 36 ins; 61 cms x 91.4 cms
Private collection

Joe Norris was born in 1924 in Halifax, Nova Scotia. The family moved to Lower Prospect when Joe was seven years old. Much of his childhood was characterized by sickness, in particular pleurisy. This kept him away from school a great deal of the time. Being confined, he took up painting to keep himself occupied. Later on he worked as a fisherman and construction worker. A severe heart attack at age forty-nine forced him into early retirement. This is when he went back to painting, and through the encouragement of a visiting nurse he continued painting and eventually nailed some of his pictures to the front wall of his fish house. Through this initial display he found an outlet for his completed paintings.
Joe Norris painted seven days a week in his little yellow house he had built himself in the early 1970s. He often painted for about twelve hours solid each day. Generally he began with no preconceived idea, no drawing or sketch. He just worked at his brightly painted pictures of the world around him using several very small brushes. In addition to the pictures he also painted the occasional piece of furniture including tables, chests and mantles.
As he worked there was often a steady flow of children, neighbours, and near-by relatives going in and out of his house. Joe, a bachelor, missed the fishing life. He once said “I’d rather be fishing. I’m out in the air and stuff, and I like working… hard old life fishing.” When asked if his paintings would ever make him famous, “no” was his answer. Joe Norris died in 1996. More on Joe Norris

 

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Georges Clairin, FANTASIA 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 71

Georges Clairin
Georges Clairin, 1843-1919, FRENCH
FANTASIA, c. 1894
Oil on canvas
98 by 146cm., 38½ by 57

Fantasia is a traditional exhibition of horsemanship in the Maghreb, performed during cultural festivals and to close Maghrebi wedding celebrations. “Fantasia” is an imported name, the actual traditional term used is lab el baroud.

The performance consists of a group of horse riders, all wearing traditional clothes, who charge along a straight path at the same speed so as to form a line, and then at the end of the charge (about two hundred meters) fire into the sky using old muskets or muzzle-loading rifles The difficulty of the performance is in synchronizing the movement of the horses during acceleration of the charge, and especially in firing the guns simultaneously so that one single shot is heard. The horse is referred to as a fantasia horse and are of Arabian, Andalusian or Barb stock. More on Fantasia

Georges Jules Victor Clairin (11 September 1843, Paris – Pouldu, Clohars-Carnoët 2 September 1919) was a French Oriental painter and illustrator. He was influenced by oriental painting and Moorish architecture, and visited North Africa many times, in particular Morocco and Egypt. In Paris he led the life of a socialite, and befriended the glamorous actress Sarah Bernhardt, his friend for 50 years, and is today best known for his ‘in costume’ and informal intimate portratits of her.

Clairin was apprenticed in the workshops of Isidore Pils and François-Édouard Picot. In 1861 he entered the École des beaux-arts de Paris, and in 1866 first displayed his work. He travelled to Spain with Henri Regnault and to Italy with François Flameng and Jean-Léon Gérôme. He met the Catalan painter Marià Fortuny in Morocco and they visited Tétouan together. In 1895, he travelled to Egypt with the composer Camille Saint-Saëns.

He is best known for his portraits of Sarah Bernhardt, with whom he had a long friendship and whom he depicted in costume for a number of her roles. More on Georges Clairin

Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.