Paris – Page 2 – Zaidan Gallery

01 Painting, Streets of Paris, Maurice Brazil Prendergast’s Montparnasse, with footnotes, Part 80

Maurice Brazil Prendergast, 1858 – 1924
Montparnasse, circa 1907
Watercolor and pencil on paper
13 ¾ by 20 in., 34.9 by 50.8 cm.
Private collection

The Boulevard du Montparnasse is a two-way boulevard in Montparnasse, in the 6th, 14th & 15th arrondissements in Paris. Students in the 17th century who came to recite poetry in the hilly neighbourhood nicknamed it after “Mount Parnassus”, home to the nine Muses of arts and sciences in Greek mythology.

The hill was levelled to construct the Boulevard Montparnasse in the 18th century. During the French Revolution many dance halls and cabarets opened their doors.

The area is also known for cafés and bars, such as the Breton restaurants specialising in crêpes located a few blocks from the Gare Montparnasse. More on The Boulevard du Montparnasse Maurice Prendergast was born in St. John’s, Newfoundland, on Oct. 10, 1859. When his father’s grocery business failed in 1861, the family moved to Boston. He and his younger brother Charles finished their formal education by the time each was 14. Maurice worked in a dry-goods store, lettered show cards, and began sketching landscapes and cattle. In 1886, he and his brother worked their way to England on a cattle boat; they may have gone to Paris as well. Returning to Boston, they worked at routine jobs in order to save $1,000 for a return to Europe. Maurice went to Paris in 1891 and studied with Jean Paul Laurens at the Académie Julian. He made rapid progress in 3 years, working from the model rather than from casts. He was fascinated with the life and movement in the parks, boulevards, and cafés.

When he returned to America in 1894, Prendergast was an accomplished watercolorist and had assimilated qualities from Édouard Manet, James McNeill Whistler, Edgar Degas, Henri de Toulouse-Lautrec, Pierre Bonnard, and Édouard Vuillard and from Japanese prints. He was the first American artist to appreciate and understand the importance of Paul Cézanne. Until 1905 the Prendergast brothers lived together in Winchester, Mass., their principal means of support being a frame-making shop. Maurice’s work was included for the first time in a public exhibition at the Pennsylvania Academy of Fine Arts in 1896; there was a one-man show in Boston the next year, and from this time until his death his paintings appeared in many exhibitions. More on Maurice Prendergast

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01 Painting, Streets of Paris, Gaston La Touche’s La promenade, with footnotes, Part 79

Gaston La Touche (French, 1854-1913)
La promenade
Oil on panel
18 1/2 x 21 3/4in (47.1 x 55.3cm)
Private collection

In this work, La Touche finds a later echo in the closing scenes in the film of Colette’s novella, Gigi, where Louis Jourdan and Leslie Caron promenade in the Bois de Boulogne. In the shade, other figures relax and enjoy the afternoon sun. This is the Belle Epoque at its height. However, in a social statement he includes two workers toiling by the roadside; showing he was aware of the divide between the rich and the poor. More on this work

French painter Gaston La Touche [1854-1913] post-impressionist painter, draughtsman and pastellist was a leading colorist of the late nineteenth/early twentieth centuries, who associated with all the important artists of the period. He was close friends with many of the Impressionists, but chose to follow an independent path in both technique and subject matter. His extraordinary imagination revealed itself in his wonderful depictions of monkeys, fetes, balls, theatrical subjects and interiors, all tinged with a wry sense of humor. His Versailles-inspired firework and fountain paintings are unique in quality and spectrum of color. Neglected for almost a century, with little or no research, La Touche’s work is now being re-evaluated. In both commercial and art-historical circles, his paintings are now highly sought after. More on Gaston La Touche

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01 Painting, Streets of Paris, VICTOR GABRIEL GILBERT’S At the Flower Market, with footnotes, Part 77

VICTOR GABRIEL GILBERT (FRENCH, 1847-1933)
At the Flower Market
Oil on panel
173⁄4 x 215⁄8 in. (45.1 x 55 cm.)
Private collection

At the Flower Market, in contrast to many of Gilbert’s compositions, is set in one of the smaller flower stalls in the French capital. In the center of the composition, an elegant young lady deliberates over her choices for the day, testing the fragrance of pink roses, watched and perhaps encouraged by the stall’s proprietor. To the right and set on the ground are neatly arranged bright bouquets wrapped in white paper to set off their brilliant colors. Pots of brilliant red geraniums dot the foreground, while a small vegetable stand defines the background to the left. This vibrant image is enhanced by Gilbert’s virtuoso technique, realistic sense of detail and close observation of nature. In At the Flower Market, Gilbert beckons the viewer to enter a time gone by, where the fragrance of flowers still lingers. More on this painting
Victor Gabriel Gilbert was born in Paris the 13 February 1847 and died in the 21 July 1933. He was a French painter. He is buried in Montmartre cemetery in Paris. In 1860 he apprenticed to a painter and decorator. He followed with evening art classes under the direction of Father Levasseur, the School of the City of Paris. In the late 1870s, his taste for naturalism is developed and he turned to genre painting with scenes of streets, cafes, markets, especially that of Halles . He obtained a second class medal at the Salon of 1880 and a silver medal at the 1889 World Fair . It becomes a member of the French Society of Artists in 1914.

Victor Gilbert was appointed Knight of the Legion of Honour in 1897, and received the Prix Léon Bonnat in 1926. More on Victor Gabriel Gilbert

01 Painting, Streets of Paris, Román Ribera Cirera’s Leaving the ball, with footnotes, Part 76

Román Ribera Cirera (Spanish, 1849-1935)
Leaving the ball
Oil on canvas
58.5 x 81.3cm (23 x 32in)
Private collection

The present painting typifies Ribera’s work of this period, with the elegantly dressed women being directed towards their cab after having attended a formal occasion. Here, Ribera focuses the viewer on his highly skilled rendering of the central figures’ clothing and their sumptuous fabrics and fur. Although his later work took on a more social realist form with his depictions of the working classes, the present lot offers an insight into the chic lifestyle of those living in the higher society of the glittering Paris of Haussmann. More on this paintingRomà Ribera i Cirera (13 December 1848, Barcelona – 29 May 1935, Barcelona) was a Catalan genre painter. He specialized in contemporary scenes from upper-class social events, rendered in meticulous detail, but also did numerous scenes from life in the 17th and 18th centuries.

He studied at the Escola de la Llotja and at the private school operated by Pere Borrell del Caso. In 1873, he went to Rome to complete his studies. While there, he met Marià Fortuny, who works would influence his style. After leaving Italy, he visited London to exhibit.

Once he had established himself, he settled in Paris. At a time when most artists were attracted to impressionism, he found inspiration in the works of James Tissot and Alfred Stevens. In 1878, he enjoyed great success at the Exposition Universelle. This enabled him to retain Adolphe Goupil as his agent. To maximize his income, he chose to solicit clients from the upper classes, portraying their activities and possessions.

He had a major showing at the exhibition at the 1888 Barcelona Universal Exposition, where he presented a series of watercolors. He returned to Barcelona in 1889, exhibiting at the Sala Parés. He pursued the same upper class client strategy there that he had in Paris. Occasionally, he travelled to exhibit in Madrid.

In 1902, he became a member of the Reial Acadèmia Catalana de Belles Arts de Sant Jordi and was chosen to sit on the “Catalan Museum Board. More on Romà Ribera i Cirera

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05 Paintings, Streets of Paris, by the artists of the time, Part 17 – With Footnotes

Gabriel Spat, Russia (1890-1967)
Sortie de L’glise/ Exit from the church
Oil on board
15.5″ X 6.5″
Private collection

Gabriel Spat, 1890–1967 was born in Kishinev, Russia, now Chisinau, Moldova. He was active in France from 1919 to 1942 and in the USA from 1942. Spat studied at the Académie des Beaux-Arts in Geneva, as well as in Paris, at the Académie Colarossi and the Académie de la Grande Chaumière.

After World War I, he lived in Paris, attending the studios of La Ruche, Soutine and Modigliani. He fled to the USA in 1942. In Paris between the wars, he was known as a painter and sculptor. He executed the portraits of celebrated figures, particularly actors. He also executed anti-German satirical drawings depicting Nazi society. These were destroyed during World War II.

Spat was painting by the age of eighteen, but as an art student in Paris he was so impoverished that he was forced to paint on scraps of canvas given to him by other artists. As a result, he learned to paint in miniature, and he continued to work on a small scale throughout his career…

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02 Paintings, Streets of Paris, Louis Anquetin’s L’Intérieur de chez Bruant: le Mirliton, with footnotes, #83

Louis Anquetin (1861–1932)
The Interior of Bruant – The Mirliton, c. 1886 until 1887
Oil on canvas
145 × 157 cm (57 × 61.8 in)
Private collection

L’Intérieur de chez Bruant: le Mirliton is not only a large-scale group portrait representing many of the artist’s illustrious friends, but also a portrait of their preferred gathering place, Le Mirliton, the vivacious establishment opened in 1885 in what had been the second location of the Chat Noir. The cabarets, cafés and dance halls of Montmartre proved a source of endless inspiration for Anquetin, Toulouse-Lautrec, Bernard and others in their circle who frequented these establishments together. More on this painting

Louis Anquetin (26 January 1861–19 August 1932) was a French painter; born in Étrépagny, France and educated at the Lycée Pierre Corneille in Rouen.

In 1882 he came to Paris and began studying art at Léon Bonnat’s studio, where he met Henri de Toulouse-Lautrec. The two artists later moved to the studio of Fernand Cormon, where they befriended Émile Bernard and Vincent van Gogh…

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01 Painting, Streets of Paris, Arbit Blatas’s Pont St. Michel, with footnotes #75

Arbit Blatas, Lithuanian, 1908-1999
Pont St. Michel, Paris
Oil on canvas
25 3/8 x 31 3/4 inches (64.5 x 80.6 cm)
Private collection

Pont Saint-Michel is a bridge linking the Place Saint-Michel on the left bank of the river Seine to the Île de la Cité. It was named after the nearby chapel of Saint-Michel. It is near Sainte Chapelle and the Palais de Justice. The present 62-metre-long bridge was first constructed in 1378, it has been rebuilt several times, most recently in 1857.. More on Pont Saint-MichelArbit Blatas was born in Lithuania in 1908. Blatas showed great skill and artistic talent from a very early age. He moved to Paris when he turned twenty-one, and quickly ingratiated himself in the Parisian art community becoming the youngest member of the “School of Paris”.

Paris offered a milieu of cultural richness, least of which included his fellow artists Pablo Picasso, Pierre Bonnard, Maurice de Vlaminck, and Maruice Utrillo. These talented peers provided immense inspiration for the young Blatas helping to nurture his distinct style.

Blatas was also influenced by the modest Jewish art community in Paris. This group helped foster the national aspirations as well as a continual experimentation with expressionism, many of whom would become members of the “School of Paris”.

During this period Blatas traveled back and forth between Paris and his native Lithuania, putting on exhibitions as well as opening a gallery in Lithuania. His profile grew immensely in 1933 after exhibiting in Paris, coupled with his relationship with the art dealer Pierre Matisse who organized the artist’s first exhibition in New York. Like many other artist’s living in Europe at the time, Blatas was forced to flee France and emigrated to the United States. He wouldn’t return until after the end of World War II.

Blatas was a multitalented artist, often working with painting, sculpture and theater design over the course of his career. His paintings often depicted portraits and landscapes, but also showed an adept understanding of many influential styles such as post-impressionism, fauvism, and expressionism. He never adhered to one “ism” but rather relied on his unique sense of color as a driving force.

Many honors and prizes were bestowed upon Arbit Blatas during his career. He received the prestigious Chevalier de la Legion d’Honeur from the French government in 1978. Only two years later Blatas received a medal from the mayor of Venice in honor of his sculpture. More on Arbit Blatas

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01 Painting, Streets of Paris, Stanislas Lépine’s Montmartre. La rue Saint-Vincent, Part #78

Stanislas Lépine, 1835 – 1892
Montmartre. La rue Saint-Vincent
Oil on canvas
55,5 x 34,2 cm; 21⅞ x 13½ in.
Private collection

Stanislas Lépine depicts here the rue Saint-Vincent, between the vineyards of Montmartre and the place du Tertre, close to the artist’s home, rue Fontenelle.

While Montmartre is still an almost isolated village at the gates of the city, far from the modernity of Haussmann’s Paris, two women converse, one leaning against her window, the second in the middle of a cobbled alley, in the preserved intimacy of the Butte.

A cloudy sky veils the foliage of the gardens and the damp grey stone of the walls in a pale light, underlining, with its discreet hues, the quietude of this meeting. More on this paintingStanislas Victor Edouard Lépine (October 3, 1835 – September 28, 1892) was a French painter who specialized in landscapes, especially views of the Seine. Lépine was born in Caen. An important influence in his artistic formation was Corot, whom he met in Normandy in 1859, becoming his student the following year.

Lépine’s favorite subject was the Seine, which he was to paint in all its aspects for the rest of his life. He participated in the first Impressionist exhibition, held at Nadar’s in 1874, although he is generally not considered an Impressionist. His paintings are placid in mood and are usually small in scale. Lépine was awarded the First Prize medal at the Exposition of 1889. He died suddenly in Paris in 1892. More Stanislas Victor Edouard Lépine

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01 Painting, Streets of Paris, by the artists of their time, Georg Tappert’s Café, Part 77

Georg Tappert (1880-1957)
Café, c. 1917
Oil on burlap
25 1⁄4 x 23 5⁄8 in. (64 x 60.8 cm.)
Private collection

Painted in 1917, Café is a fine example of Tappert’s fascination with the subject of café society, which he explored throughout his career, and particularly in the years during the First World War. In taking up themes of the cabaret and the world of entertainment, Tappert reflects the influence of works by Pechstein and Van Dongen, who in turn drew their inspiration from French turn-of-the-century artists such as Toulouse-Lautrec.

Even though Georg Tappert served in the army during the war years, from 1915-1918, scenes of war and destruction are conspicuously absent from his œuvre. Instead, during this period Tappert’s work is dominated by nudes and scenes of the demi-monde, and bourgeoise social life, such as the present painting. Unlike his contemporaries, who expressed war traumas and battle experiences through their art, Tappert found in painting a way of escaping the grim reality and creating a more pleasant imaginary world. More on this painting
Georg Tappert (20 October 1880, Berlin – 16 November 1957, Berlin) was a German expressionist painter.

Tappert underwent an apprenticeship as a tailor, before gaining employment at various tailoring businesses for two years. However he attracted the attention of Max Liebermann, who gave him a letter of introduction to Ludwig Schmid-Reutte a professor at the Academy of Fine Arts, Karlsruhe. He studied there from 1901 to 1906, whereupon he joined the Worpswede artists’ colony until 1909.

He was one of the founders of the New Secession which was formed in 1910 following 27 expressionist artworks being excluded from an exhibition organised by the Berlin Secession. More on Georg Tappert

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01 Painting, Streets of Paris, Francois Gall’s Montmartre, Part 76

Francois Gall, French, 1912-1987
Montmartre, circa 1950
Oil on canvas
17 3/4 x 23 inches (45 x 58.4 cm)
Private collection

With its cobbled streets, stunning Basilica, artists, bistros … Montmartre is full of charm! Perched on the top of a small hill in the 18th arrondissement, the most famous Parisian district has lost none of its village atmosphere that appealed so much to the artists of the 19th and 20th centuries. A real melting pot of art and inspiration for the cinema, Montmartre still gives as much pleasure to those who stroll around it and figures high on the list for a stay in Paris. More on Montmartre

François Gall (1912–1987) was a Hungarian painter. He became an impressionist painter in the pure French tradition after he moved to Paris in 1936. He was born in Kolozsvar in the former region of Transylvania on March 22, 1912 and began studying all media at the Royal Academy of Fine Arts in Rome while working menial jobs to secure a living. In 1939, the Hungarian government awarded Gall with a scholarship for his artistic merit.

Six years later, Francois Gall established himself in Paris and became a student of Devambez at the National Academy of Fine Arts. He greatly admired the first generation of Impressionists and adopted their concepts for his own interpretations. Parisian scenes and and portrayals of women engaged in typically feminine activities were amoung his preferred subjects. Francois was a modern impressionist, bringing his own unique personality to this most enduring style.

Gall participated in various Salon exhibitions in Paris and became a favorite with the public. In 1963, he was honoured with the Francis Smith Prize. He died in 1987. More on François Gall

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01 Work, Streets of Paris, Camille Pissarro’s Rue Saint-Honoré in the Afternoon, with footnotes, #11

Camille Pissarro
Rue Saint-Honoré in the Afternoon. Effect of Rain, 1897
Oil on canvas. 81 x 65 cm
Museo Thyssen-Bornemisza, Madrid

Rue Saint-Honoré in the Afternoon. Effect of Rainbelongs to a series of fifteen works that Camille Pissarro painted in Paris from the window of his hotel in the place du Théâtre Français during the winter of 1897 and 1898. Pissarro, who had spent practically all of his life in the country and was basically a landscape painter — and one of the first convincing practitioners of plein air painting — was forced to move to the city for health reasons towards the end of his life. It was then that he began to paint urban scenes viewed from windows, capturing the bustle of the streets of cities like Rouen and Paris. Stylistically, this last decade of his life coincides with his return to an Impressionist technique after experimenting with the influence of Seurat for a short period. Pointillisme , which he abandoned owing to its excessive rigidity, helped him lighten his palette and compose his last paintings in a less rigorous manner. More on this painting

Camille Pissarro (10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the “pivotal” figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the “dean of the Impressionist painters”, not only because he was the oldest of the group, but also “by virtue of his wisdom and his balanced, kind, and warmhearted personality”. More on Camille Pissarro

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42 Paintings, Streets of Paris, The Courtesans of Paris, as portrayed by the Artists from 1850-1910 – Behind the Scenes, with footnotes #77

Georges Bottini
AT THE BAR: THE WOMAN IN WHITE (AU BAR: LA FEMME EN BLANC), c. 1904
Watercolor On Paper
14 5/8 x 10 5/8 in.

Soliciting was prohibited in broad daylight, but was legal for registered girls at nightfall when the streetlamps were lit. This coincided with knocking-off time for women in the workshops in which some occasional prostitutes were employed. Prostitutes may have cultivated an air of ambiguity during the day, but their appearance gradually changed as the urban landscape, illuminated by gas lamps and later by electricity, was transformed. More on Soliciting

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01 Painting, Streets of Paris, Ken Howard’s Stormy Morning, Quai St Michel, Paris, Part #81

Ken Howard R.A. (British, born 1932)
Stormy Morning, Quai St Michel, Paris
Oil on canvas
30 x 61cm (11 13/16 x 24in).
Private collection

The Quai Saint-Michel in the french capital Paris is a small section of the southern bank of the Seine between the bridges Pont Saint-Michel and Petit Pont. The naming references archangel Michael, who was patron to a chapel in the nearby former kings palace.

Ken Howard R.A. (British, born 1932) studied at Hornsey School of Art from 1949 to 1953. He then did his National Service with the Royal Marines before returning to study at the Royal College of Art from 1955 to 1958. He went on to win a British Council Scholarship to Florence from 1958 to 1959.

Howard’s first solo show was held at the Plymouth Art Centre in 1955. Subsequent exhibitions were held in 1966 and 1968 at the John Whibley Gallery. From then on he exhibited extensively, both nationally and internationally, particularly with the New Grafton Gallery from the early 1970s. He was given a retrospective in 1972 at the Plymouth City Art Gallery and in 1973 and 1979 was appointed by the Imperial War Museum as official artist in Northern Ireland. He also worked with the British Army in Germany, Cyprus, Oman, Hong Kong, Nepal, Norway, Canada, Belize and Brunei from 1973 to 1982.

Howard was elected a member of the New English Art Club in 1962, the Royal Institute of Oil Painters in 1966, the Royal Society of Painters in Watercolours in 1979, the Royal West of England Academy 1981, Honorary Member of the Royal Society of British Artists in 1988, Royal Academician in 1991 and President of the New English Art Club in 1998. Among his numerous awards are First Prize in the Lord Mayor’s Art Award in 1966, a Prize Winner in the John Moores Exhibition, Liverpool in 1978, first prize in the Hunting Group Awards and the Critics Prize at Sparkasse Karlsruhe in 1985. Ken Howard lives and works in London. More on Ken Howard

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01 Work, Streets of Paris, by the artists of their time, Part #81

BRASSAÏ (1899–1984)
Deux filles de Joie, Boulevard Rochechouart, Montmartre, c. 1932
Ferrotyped gelatin silver print, printed 1940s
117⁄8 x 83⁄4 in. (30.1 x 22.2 cm.)
Private collection

The Boulevard Marguerite-de-Rochechouart is a street in Paris, France, situated at the foot of Montmartre and to its south. Like the neighbouring street, it is named after Marguerite de Rochechouart de Montpipeau (1665–1727), abbess of Montmartre. It is a result of the 1864 merging of the boulevards and chemins de ronde which followed the interior and exterior of the Wall of the Farmers-General. It has also been known as the boulevard des Poissonniers, chemin de ronde de Poissonnière and chemin de ronde de Rochechouart. It is served by the Paris Metro stations Pigalle, Anvers and Barbès – Rochechouart. More on Boulevard Rochechouart

Brassaï, pseudonym of Gyula Halász (9 September 1899 – 8 July 1984) was a Hungarian–French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars.

In the early 21st century, the discovery of more than 200 letters and hundreds of drawings and other items from the period 1940 to 1984 has provided scholars with material for understanding his later life and career.

Halász’s job and his love of the city, whose streets he often wandered late at night, led to photography. He first used it to supplement some of his articles for more money, but rapidly explored the city through this medium, in which he was tutored by his fellow Hungarian André Kertész. He later wrote that he used photography “to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night.” Using the name of his birthplace, Halász went by the pseudonym “Brassaï,” which means “from Brasso.” More on Brassaï

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01 Painting, Streets of Paris, Louis Magre’s Banks of the Seine, Part #79

Louis Magre
Les bords de Seine Paris/ The banks of the Seine Paris, c. 2018
Oil on canvas
40 x 40 x 3 cm
Private collection

Louis Magre was born in Paris in 1955. As a teenager, he studied drawing and architecture, which he gradually gave up to concentrate solely on drawing. He currently lives in Provence, an area which fascinates him and which he loves to admire and paint.

At the beginning of his career, he drew nudes and portraits in charcoal; later, as a fan of impressionist painters including Sisley, Pissaro, Monet and Seurat, he began to paint his local landscapes. Following in the footsteps of Cézanne and Van Gogh, he depicts cloudless skies, green olive trees, blooming flowers and Provencal farmhouses, transporting us into the world of Marcel Pagnol. Particularly contemplative when it comes to landscapes, he has also painted windy beaches in Brittany, flower-covered dunes in Normandy, the streets of Little Italy and the neon signs of Chinatown in New York, where he lived for three years.

His artwork is a journey through some of the most beautiful landscapes in the world, leaving observers of his work filled with wonder at the sensory experience created by nature. Increasingly, he has focused on choosing materials when creating his artwork to represent the undulating shapes of the countryside which he loves so much.

Since 2007, he has exhibited his work at the Arts and Regards gallery in Pessac, Gironde, Les Baux-de-Provence, Saint-Paul-de-Vence and many other galleries in France. More on Louis Magre

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01 Painting, Streets of Paris, by Victor Guerrier, Part 78

Victor Guerrier, 1893 Lyon – 1968
NOCTURNAL STREET SCENE IN PARIS OUTSIDE THE MOULIN ROUGE
Oil on canvas
100 x 73 cm.
Private collection

Moulin Rouge is a cabaret in Paris, France.
The original house, which burned down in 1915, was co-founded in 1889 by Charles Zidler and Joseph Oller, who also owned the Paris Olympia. Close to Montmartre in the Paris district of Pigalle on Boulevard de Clichy in the 18th arrondissement, it is marked by the red windmill on its roof. The closest métro station is Blanche.
Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering musical dance entertainment for visitors from around the world. The club’s decor still contains much of the romance of fin de siècle France. More on Moulin Rouge
Victor Guerrier, (French, 1893-1968) was born and trained in Lyon living much of his life at Saint Cyr au Mont d’Or. He began his career as an illustrator but made his name painting Belle Epoque subjects and Parisian life between the wars.
Clearly inspired by the work of Impressionist masters such Manet and Toulouse-Lautrec his work captures and celebrates the diversity of life in Paris at the turn of the century; from the nightclubs of Montmartre to the cafés of the Champ-Elysses, Guerrier depicts French high society in its pomp. There is often a subtle narrative to the work, where a stolen glance speaks volumes. Further evidence of Manet’s work is evident in his figures, who often stare directly at the viewer, creating images that are, at once, engaging and arresting, while the fashions of the age are beautifully rendered with a vivid palette and deftly applied impasto.
Guerrier also worked in the Alps and Algeria producing a number of Orientalist subjects along with a series of paintings in St Paul de Vence. He exhibited at the Salon de Printemps. More on Victor Guerrier

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01 Painting, Streets of Paris, by the artists of their time, Part 74

Georges Stein, French, 1870-1930
Champs Elysees
Oil on panel
4 5/8 x 7 1/2 inches (11.7 x 19 cm)
Private collection

The Avenue des Champs-Élysées is an avenue in the 8th arrondissement of Paris, running between the Place de la Concorde and the Place Charles de Gaulle, where the Arc de Triomphe is located. It is known for its theatres, cafés, and luxury shops, for the annual Bastille Day military parade, and as the finish of the Tour de France cycle race. The name is French for the Elysian Fields, the paradise for dead heroes in Greek mythology. It is one of the most famous streets in the world. More on the Champs-Élysées
Georges Stein was a late 19th and early 20th century French painter, best known for scenes of Parisian street life. Sources conflict about Stein’s dates of birth and death. The Benezit Dictionary of Artists gives the year of birth as “c. 1870”. The auction house Christie’s, among others, gives the dates 1855–1930, and the French National Library the dates 1870–1955. Moreover, the journal L’Éventail of 15 January 1918 mentions “the painter Georges Stein who recently died at Geneva”.
There is also some confusion as to the gender of Stein. While the Benezit Dictionary and L’Éventail refer to Stein as male, some gallery websites describe Stein as a female painter. More on Georges Stein

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Alfred Henry Maurer; La Pont De La Concorde and a View of The Palais Bourbon. 01 Painting, Streets of Paris, by the artists of their time, Part 73

Attributed to Alfred Henry Maurer
La Pont De La Concorde and a View of The Palais Bourbon, Circa 1920
Oil on paper laid on board
14 x 21 inches
Private collection

Pont de la Concorde, stone-arch bridge crossing the Seine River in Paris at the Place de la Concorde. The masterpiece of Jean-Rodolphe Perronet, conceived in 1772, the bridge was not begun until 1787 because conservative officials found the design too daring. Perronet personally supervised construction despite his advanced age; he was 82 when the work was completed in 1791. The outbreak of the French Revolution scarcely affected progress; Perronet used the demolished Bastille as a source for masonry. The name of the bridge has been changed from Louis XV to Révolution to Concorde. More on Pont de la Concorde

Alfred Henry Maurer (April 21, 1868 – August 4, 1932) was born in New York City April 21, 1868. He was the son of German-born Louis Maurer, a lithographer with a pronounced disdain for modern art. At age sixteen, Maurer had to quit school to work at his father’s lithographic firm. In 1897, after studying with the sculptor John Quincy Adams Ward and painter William Merritt Chase, Maurer left for Paris, where he stayed the next four years, joining a circle of American and French artists. Finding the instruction at the Academie Julian too limited, he spent most of his time copying in the Louvre.
Maurer was a modernist painter. He exhibited his work in avant-garde circles internationally and in New York City during the early twentieth century. Highly respected today, his work met with little critical or commercial success in his lifetime, and he died, a suicide, at the age of sixty-four. More on Alfred Henry Maurer

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady,The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and visit my Boards on Pinterest
Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright
I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.
I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.
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Thank you for visiting my blog and also for liking its posts and pages.
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Ulpiano Checa, Rainy day in Paris 01 Painting, Streets of Paris, by the artists of their time, Part 72

Ulpiano Checa (1860–1916) — **Ulpiano Checa, (1860–1916)**
**Día de lluvia en Paris/ Rainy day in Paris**
Oil on canvas
Height: 66 cm (25.9″); Width: 80 cm (31.4″)
Museo Ulpiano Checa

Ulpiano Fernández-Checa y Saiz (April 3, 1860 – January 5, 1916), known as Ulpiano Checa, was a Spanish painter, sculptor, poster designer and illustrator. He used both impressionistic and academic techniques, and mainly painted historical subjects.

He was born in Colmenar de Oreja, Spain, and exhibited a talent for art when he was a young child. At thirteen, he met Don José Ballesterwho was impressed with his work and decided to bring Checa and his family to the capital to begin his art studies.

In 1873, he entered the Escuela de Bellas Artes de San Fernando in Madrid, followed by study at the Spanish Academy of Fine Arts in Rome [es], where he would paint Invasion of the Barbarians (since lost in a fire) which won the gold medal at the National Exhibition of Fine Arts in 1887. More on Ulpiano Fernández-Checa y Saiz

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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Jean Dufy, La danse 01 Painting, Streets of Paris, by the artists of their time, Part 71

Jean Dufy (1888-1964)2 — **Jean Dufy, (1888-1964)**
**La danse (Au Cirque Médrano/ Circus Medrano), c. 1930**
Oil on canvas
18 1/8 x 15 in. (46 x 38 cm.)
Private collection

The Cirque Medrano is a French circus that was located at the edge of Montmartre, in what was then the edge of the City of Paris, under the name “Cirque Fernando”. The title “Cirque Medrano” is still active today: it is now a successful French traveling circus.

The Parisian circus was created by a Belgian circus entrepreneur, Ferdinand Beert (1835-1902), and was built at the corner of the Boulevard de Rochechouart and the Rue des Martyrs, in what was then the edge of the City of Paris, under the name “Cirque Fernando.” The area was a working-class neighborhood at the foot of the hill of Montmartre, famous for its many places of popular entertainment, among which the Moulin de la Galette and the famous Bal du Moulin Rouge — and in the vicinity of the Bateau-Lavoir in Montmartre, where many young painters lived. More on The Cirque Medrano

Jean Dufy (b Le Havre, France, 1888; d La Boissière, 1964) French Painter. Following his service in the military, from 1910-1912, Jean Dufy relocated to Paris. Inspired by the work of Braque and Picasso, Dufy created watercolors that expressed a heightened understanding of color and light. In the mid-1920s, Jean Dufy became captivated by the music of the time, such as Darius Millaud and Francis Poulenc, and incorporated this interest into his artwork. While depicting orchestral and musical subjects, Dufy later became enchanted by the coast of Northern France and began to create majestic and effecting landscapes. Throughout the 1950s Dufy explored Western Europe and North America, but inevitably returned to his watercolors and oils of Paris. Just two months after the death of his wife, Ismérie, Jean Dufy died in 1964 in La Boissiere. More Jean Dufy

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don’t own any of these images – credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

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