01 Painting, Streets of Paris, Francois Gall’s Montmartre, Part 76

Francois Gall, French, 1912-1987
Montmartre, circa 1950

Oil on canvas
17 3/4 x 23 inches (45 x 58.4 cm)
Private collection

With its cobbled streets, stunning Basilica, artists, bistros … Montmartre is full of charm! Perched on the top of a small hill in the 18th arrondissement, the most famous Parisian district has lost none of its village atmosphere that appealed so much to the artists of the 19th and 20th centuries. A real melting pot of art and inspiration for the cinema, Montmartre still gives as much pleasure to those who stroll around it and figures high on the list for a stay in Paris. More on Montmartre

François Gall (1912–1987) was a Hungarian painter. He became an impressionist painter in the pure French tradition after he moved to Paris in 1936. He was born in Kolozsvar in the former region of Transylvania on March 22, 1912 and began studying all media at the Royal Academy of Fine Arts in Rome while working menial jobs to secure a living. In 1939, the Hungarian government awarded Gall with a scholarship for his artistic merit.

Six years later, Francois Gall established himself in Paris and became a student of Devambez at the National Academy of Fine Arts. He greatly admired the first generation of Impressionists and adopted their concepts for his own interpretations. Parisian scenes and and portrayals of women engaged in typically feminine activities were amoung his preferred subjects. Francois was a modern impressionist, bringing his own unique personality to this most enduring style.

Gall participated in various Salon exhibitions in Paris and became a favorite with the public. In 1963, he was honoured with the Francis Smith Prize. He died in 1987. More on François Gall

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Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.at the content of this post primarily consists of articles available from Wikipedia or other free sources online.

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Author: zaidangallery

I search Art History for Beautiful works that may, or may not, have a secondary or unexpected story to tell. I then write short summaries that grow from my research. Art work is so much more when its secrets are exposed

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