In her apparition at Guadeloupe, the Madonna made use of roses as a sign of her presence and even arranged them with her own hands in the tilma of Juan Diego. At La Salette she wore a profusion of roses in three garlands and had tiny roses around the rim of her slippers. She brought beautiful roses with her at Lourdes, Pontmain, Pellevoisin, Beauraing, and Banneaux. To Sister Josefa Menendez she showed her heart encircled with little white roses. More on the Madonna of the Rose.
William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau
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