Isaac Israels, Carmencita 01 Paintings, PORTRAIT OF A LADY, of the 18th & 19th C., with Footnotes. #42

Isaac Israels

Isaac Israels, 1865-1934, DUTCH

Carmencita 

Oil on canvas

91.5 by 72cm., 36 by 28¼in.

Private collection

Carmen Dauset Moreno, better known simply as Carmencita (1868 – 1910), was a Spanish-style dancer in American pre-vaudeville variety and music hall ballet.

Born in Almería, Andalusia, Spain, Carmencita took dancing lessons in Malaga and first danced professionally at Malaga’s Cervantes Theatre in 1880. In 1882 she toured Spain and later traveled to Paris and Portugal. She returned to Paris during the Exposition Universelle (1889) and danced at the Nouveau Cirque where theatrical agent Bolossy Kiralfy saw her performance and subsequently induced her to come to the United States under his management. She debuted in New York on August 17, 1889, dancing in the ballet of “Antiope.” Her association with Kiralfy ended in early 1890, and she rose to fame under the management of John Koster and Albert Bial, who put her in their 23rd Street Concert Hall commencing 10 February 1890. Over the next several years Carmencita performed in major cities across the country. She appeared in Koster & Bial’s new Music Hall in November and early December 1894 before selling her possessions and returning to Europe. She performed at the Palace Theatre, London in February 1895  and then periodically at the Théâtre des Nouveautés in Paris. More on Carmencita 

Jozef Israëls’s son, Isaac Israels (1865–1934) was raised on a diet of painting and travel. At thirteen, he entered art school in The Hague, where his prodigious talent was soon noticed. In 1881, he began a painting that was purchased before it was completed by Hendrik Willem Mesdag. In 1886, Israels enrolled at Amsterdam’s Art Academy, where he was considered ‘too good’. Israels often spent the summer months with his father in Scheveningen, where he painted seaside scenes in bright colours. In Amsterdam, Israels spent much of his time with George Hendrik Breitner. Both were fascinated by the idea of portraying city life by capturing a passing moment in time. To convey the sense of a snapshot, they cropped their subjects abruptly. Israels was in Paris, London and briefly in the Dutch East Indies from 1903 to 1923. He then returned to The Hague and took over his father’s studio. There he remained, producing impressionist paintings in light colours. More on Isaac Israels

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Author: zaidangallery

I search Art History for Beautiful works that may, or may not, have a secondary or unexpected story to tell. I then write short summaries that grow from my research. Art work is so much more when its secrets are exposed

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