Magnus Gjoen, United Kingdom
BREAK GLASS FOR RESURRECTION
31.5 H x 21.7 W x 0 in
An image of Christ being resurrected by someone having broken the glass dome within which he has been sealed. The broken glass at the bottom reads backwards ‘so help us God’.
The resurrection of Jesus is the Christian religious belief that, after being put to death, Jesus rose again from the dead. It is the central tenet of Christian theology and part of the Nicene Creed: “On the third day he rose again in accordance with the Scriptures”
Just before sunrise on the day after the regular weekly Sabbath three women, Mary Magdalene, Mary the mother of James, and Salome, come to anoint Jesus’ body, wondering how they would be able to roll the large rock away from the tomb; but they found the rock already rolled aside and a young man in white inside; he told them that Jesus had risen, and that they should tell Peter and the disciples that he will meet them in Galilee, “just as he told you”. More The resurrection of Jesus
Magnus Gjoen was born in London to Norwegian parents. He grew up in Switzerland, Denmark, Italy as well as in the UK. As a contemporary artist Gjoen has exhibited worldwide and questions the notions of beauty by juxtaposing a range of styles and media, incorporating a street and pop aesthetic with a fine art approach. His pieces draw on history and allusion, using existing artworks or fragments from the past to create his own, contemporary aesthetic. Describing himself as an ‘accidental’ artist, Gjoen studied fine art and fashion design which led to a successful career in fashion, working for brands such as Vivienne Westwood.
Gjoen’s art offers a modern spin on old masterpieces or manipulates powerful and strong objects into something fragile yet beautiful. By blending two genres from completely different worlds, his art is about rediscovery, taking things from the past and renewing them for the contemporary market. Breathing fresh air into dusty old paintings found in the far corners of a museum or lending a sense of beauty and grace to typically powerful, even dangerous objects, Magnus Gjoen’s work invites a second look. It’s this ability to engage with the viewer and get them questioning, challenging and thinking that makes him a promising and successful young artist in the contemporary art world. More on Magnus Gjoen
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