JOSEPH PETZL, The sunrise. Going to the Baptism 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 103

JOSEPH PETZL, 1803 - München - 1871

JOSEPH PETZL, 1803 – München – 1871

The sunrise. Going to the Baptism

Oil study on canvas.

29.5 x 23.2 cm

Private collection

Baptism is a Christian sacrament of admission and adoption, almost invariably with the use of water, into the Christian Church generally. The canonical Gospels report that Jesus was baptized. Baptism has been called a holy sacrament and an ordinance of Jesus Christ. In some denominations, baptism is also called christening, but for others the word “christening” is reserved for the baptism of infants. Baptism has also given its name to the Baptist churches and denominations. More on Baptism

Joseph Petzl (23 December 1803, Munich – 23 April 1871, Munich) was a German genre painter of the Biedermeier school. He has left a collection of drawings documenting his everyday life, love affairs and travels, now in the Münchner Stadtmuseum.

From May 1821 he studied at the Academy of Fine Arts, Munich under Robert Langer. In 1828 he left the academy and began to travel widely, initially going to the “Dürerfest” celebrating Albrecht Durer in Nuremberg. He stayed a year in Berlin, studying under Carl Begas, then from November 1829 lived in Dresden. In November 1830 he travelled to the birthplace of Schleswig, and in July the following year Petzl travelled to Copenhagen. He called at Kiel, Schleswig again and Düsseldorf, finally arriving back in Munich in September 1831. There he renewed his friendship with Fearnley, who had arrived in Munich a year earlier.

In September 1832 Petzl, Fearnley and the Danish genre painter Vilhelm Bendz set off for Rome. The journey over the Alps was so exhausting that Bendz died in Vicenza, but Petzl and Fearnley reached Rome in November 1832. Petzl only stayed there briefly and joined Peter von Hess and a group of other Bavarian painters on a trip to Naples and Greece, reaching Naples on 30 January 1833, in time to witness celebrations for the arrival of king Otto of Greece. There he taught drawing to the daughters of Otto’s minister Joseph Ludwig von Armansperg before travelling in 1834 to Istanbul. In November 1834 Petzl returned to Munich and shifted from his earlier scenes of Alpine and Tyrolese bandits, hunters, freedom fighters and peasant weddings to similar folkloric paintings of scenes in the Ottoman Empire. More on Joseph Petzl 

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Author: zaidangallery

I search Art History for Beautiful works that may, or may not, have a secondary or unexpected story to tell. I then write short summaries that grow from my research. Art work is so much more when its secrets are exposed

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